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Movie review by
Nell Minow, Common Sense Media
Gaslight Movie Poster Image
Brilliant classic of mind-game suspense.
  • NR
  • 1944
  • 114 minutes

Parents say

age 9+
Based on 1 review

Kids say

age 11+
Based on 1 review

A lot or a little?

The parents' guide to what's in this movie.

Positive Messages

Tension and suspense.

Drinking, Drugs & Smoking

What parents need to know

Parents need to know that this classic suspense movie from director George Cukor has some tense and scary scenes, but no violence or gore.

User Reviews

  • Parents say
  • Kids say
Adult Written byEvanstonMom October 14, 2013

Not to be missed!

More creepy (and upsetting to see Ingrid Bergman in distress) than actually scary. One note: This excellent film was directed by the great George Cukor, not th... Continue reading
Teen, 13 years old Written byLauraladybug11 January 17, 2018

I'ts super unique, but not a kids watch-list movie

I watched this movie with my family and older siblings. There's not much of anything that's inappropriate, there's passionate kissing between a... Continue reading

What's the story?

In GASLIGHT, Paula Alquist (Ingrid Bergman) falls in love with Gregory Anton (Charles Boyer), a musician, and once they are married, he persuades her to move into the house she lived in as a child, which has been closed since her aunt was murdered there. Gregory seems solicitous and caring, but he isolates Paula from everyone and makes her doubt herself and her sanity. He convinces her that she is always losing things, that she sees things that are not there, that she is unstable and untrustworthy. Every night, while Gregory is away, the gaslights flicker and Paula hears noises from the attic. Gregory persuades her that these are just her delusions. Just as Paula's fragile hold on reality is about to break, she is visited by Brian Cameron (Joseph Cotten) of Scotland Yard. With his help, she learns that Gregory is using an assumed name, that he is a thief, and that he had known her late aunt, a famous singer, and Cameron and Paula team up to stop Gregory from pulling off his devious plan.

Is it any good?

George Cukor's classic tale of suspense is a good way to begin a conversation about vulnerability and manipulation. Gregory is almost able to drive Paula mad by making her think she is mad already. By cutting her off from any outside reality, by coolly denying what she sees and hears for herself, by telling her over and over again that she is helpless and incompetent, she begins to turn into the person he tells her that she is.

Talk to your kids about ...

  • Families can talk about the examples of vulnerability and manipulation depicted in this classic of suspense movie.

Movie details

For kids who love thrills

Our editors recommend

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