Common Sense Media Review
Strong language in touching father-daughter dramedy.
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Goodrich
What's the Story?
In GOODRICH, Andy Goodrich (Michael Keaton) gets an unexpected call in the middle of the night. His wife has checked herself into rehab for 90 days for a pill dependency ... but Andy hadn't even noticed that she had a problem. He runs a struggling art gallery and spends most of his time away, working and chasing new clients. He barely knows his 9-year-old twins, Billie (Vivien Lyra Blair) and Mose (Jacob Kopera), and now he's suddenly in charge of taking care of them, full-time. It's overwhelming, but things start looking up as Andy grows closer to the twins—as well as to Grace (Mila Kunis), his adult daughter from a previous marriage, despite her bitterness about his absence from her childhood. Given that Grace is pregnant, Andy is also facing the prospect of being a grandfather. Then, when a legendary artist dies, Andy approaches her daughter, Lola (Carmen Ejogo), about putting together a retrospective show at his gallery. But just when things are starting to look up, another shoe is ready to drop.
Is It Any Good?
There's little denying that this scrubbed, predictable dramedy is on the generic side, but it also has Keaton at his best; he lifts up every scene and inspires others around him. Sure, we've seen the type of story at the heart of Goodrich before: A busy, distant dad learns to get to know and love his family (like a grown-up Mr. Mom), with everything coming to a head during a baby's birth. But whether it's thanks to the screenplay by director Hallie Meyers-Shyer or the acting—or both—Goodrich earns plenty of goodwill along the way. Keaton's scenes with the twins aren't played for dumb laughs, but rather warm humor and even some touching moments. Billie informs Andy that "mom puts a glass of water by my bed every night, and it wasn't there last night." We know that Andy will eventually remember and put out the water, but when he does, he does it just right, with a satisfying clink.
Keaton's scenes with Kunis are even better, as Andy and Grace unwrap their feelings around each other (even if one of the scenes is set during a "hike," which is a slightly lazy way to add some visual punch to the movie). There's even a strong scene between Andy and Grace's mother, who's played by Andie MacDowell, who was Keaton's on-screen wife 28 years earlier in Multiplicity. (It feels like they really do have a shared history.) The surprising kicker comes during the aforementioned birth scene, when Grace's husband (Danny Deferrari)—whom Andy sees as a bit of a drip—saves the day with an unexpectedly touching pep talk. And when Andy sheds a tear for perhaps the first time in years, it's earned. It feels like Goodrich could have been as great a showcase for Keaton as Lost in Translation was for Bill Murray, and it falls short of that goalpost, but it still hits all the right buttons and sends you away smiling.
Talk to Your Kids About ...
Families can talk about Goodrich's depiction of drug use and drinking. Are there realistic consequences? Why is that important?
Do you consider Andy Goodrich a role model? Why, or why not? What does he learn over the course of the movie?
Does the movie use any stereotypes to develop its characters? If so, which ones? Does it subvert stereotypes in any surprising ways?
Andy works at a job he's passionate about, but he doesn't make enough money to compete with bigger companies. Is it possible to work in a job you love and still earn enough to make a living? Why, or why not?
Does Andy and Grace's relationship feel realistic? Relatable? How does it compare to your own parent-child relationships?
Movie Details
- In theaters : October 18, 2024
- On DVD or streaming : November 12, 2024
- Cast : Michael Keaton , Mila Kunis , Carmen Ejogo
- Director : Hallie Meyers-Shyer
- Inclusion Information : Female Movie Director(s) , Female Movie Actor(s) , Black Movie Actor(s)
- Studio : Ketchup Entertainment
- Genre : Comedy
- Run time : 111 minutes
- MPAA rating :
- MPAA explanation : some language
- Last updated : March 29, 2025
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