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What's the story?
Detective Dormer (Al Pacino) and his partner, Hap Eckhart (Martin Donovan), are LA cops on special assignment to investigate the brutal murder of a teen-age girl in tiny Nightmute, Alaska. Dormer, brought in for his expertise, meets eager young Nightmute detective Ellie Burr (Hilary Swank) who did a case study on one of the crimes he solved when she was in school. But Dormer and Eckhart may have been sent to Alaska to keep them out of the way of an Internal Affairs investigation. They are investigators and subjects of investigation at the same time. Dormer struggles being in Alaska looks at a time of year when it is light all night long. Images of light and darkness haunt him as he tries to escape the light so he can get some sleep and as he is forced to confront a darkness within himself that draws him both to killers and their eradication. It turns out that he and the killer will have a connection that, like the midnight sun, will keep him awake.
Is it any good?
Like his previous film Memento, director Christopher Nolan's thoughtful thriller has many dualities and counterpoints and an impaired main character. We cannot always trust what we see through Dormer's eyes, nor can Dormer. Nolan uses everything -- the huge frozen vistas, the disorientation of perpetual sunlight, the fog that surrounds their first glimpse of the killer, the names (Dormer is "to sleep" in French, Ellie Burr is a detective whose dedication is a constant irritant). Dormer's lack of sleep both deconstructs and constructs him. He enters a surreal state in which he is both more and less able to rely on his judgment.
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