Kings of the Evening
What parents need to know
Parents Need to Know
Parents need to know that this well-meant but clunky period drama about African Americans struggling to get by during the Great Depression centers on characters who are forced to make hard choices during a hard time. Circumstances and racism combine to make it seem impossible to ever get ahead, but some of the characters are able to shine even against strong odds. Expect some swearing (including "s--t" and the "N" word), drinking, and smoking, as well as moderate flirting and a few violent confrontations -- but on the whole the story is more heartwarming than eyebrow raising. Still, kids who aren't already interested in the time period/subject matter probably won't be too intrigued.
What's the story?
Freed from the chain gang at last, Homer Hobbs (Tyson Beckford) discovers that his mother has left town and the economy is in the dumps of the Great Depression. He finds a home in a rooming house run by Gracie (Lynn Whitfield), a woman struggling to soldier on in a life that's far removed from the glamour she once knew. His new neighbors include Clarence (Reginald T. Dorsey) -- a boozy, sad man who's desperate to matter, both to himself and to others -- and Lucy (Linara Washington), a woman who’s saddled with an unfortunate history. They, like the men who converge at the town hall one night a week for a fashion contest, want to be kings of the evening, to find hope in the grimness of it all. But inner demons -- as well as real-life ones -- make it difficult to move on.
Is it any good?
KINGS OF THE EVENING would be a masterful snapshot of the hard-luck life of African Americans during the Great Depression ... if it weren't for the fact that it has no real plot to stand on and no reason to pull an audience in. Yes, there’s the basic framework of a story -- a young man leaves jail only to find a world hobbled by economic despair that, in turn, shackles most everyone but the monied few -- but little exploration happens. Wooden acting from Beckford and overacting from some of the supporting characters (Whitfield excepted) only reinforce the weakness of the story arc. (Not that they can be blamed for being written one dimensionally ... )
Strangely, the film doesn’t feel like a period piece, either, despite the requisite costumes, sets, and props. There's a certain sense of authenticity that Kings of the Evening simply doesn't have. The movie is clearly trying hard, but it just never comes together.
Families can talk about...
Families can talk about the Great Depression. How do you think those hard times then compare to modern economic woes? How does the movie show people getting by -- and helping each other get by -- during the 1930s? Do you think people act the same way today?
One character defies a stern father figure, while another opts to give her life savings to appease a threatening loan shark. What do you think about the choices these characters (and others) make when faced with difficult situations?
How to TV shows and movies typically depict the Great Depression? Is this movie similar to or different from others you've seen set during this time?
|Theatrical release date:||June 11, 2010|
|DVD release date:||October 12, 2010|
|Cast:||Glynn Turman, Lynn Whitfield, Tyson Beckford|
|Director:||Andrew P. Jones|
|Run time:||90 minutes|
|MPAA explanation:||thematic elements, language throughout, some violence and smoking|