A Lot or a Little?
What you will—and won't—find in this movie.
Although the movie takes a strangely positive stance on harboring a fugitive, it does encourage people to see past the obvious and figure out for themselves if someone is guilty or not. Adele's story challenges viewers to recognize how love is sometimes found in the unlikeliest of circumstances and how longing for love can make you lonely and isolated. Henry's tale shows the power of parent-child relationships. Frank teaches Adele and Henry about the simple pleasures of good company and good food and being a whole family.
Positive Role Models
Henry is a remarkably mature and loving son. He does his best to make his single mother feel loved and cared for, by making her food, dancing with her, and generally acting like a companion not just a son. Despite her depression, Adele is a caring, protective mother who loves her son. Henry's father apologizes to him for not being more involved or able to help Adele through her sadness. Frank is a convicted murderer, but he's also kind and selfless and ultimately makes a difficult choice rather than cause Adele and Henry any pain.
Violence & Scariness
An escaped convict, bleeding through a shirt, roughly grabs a 13-year-old boy by the neck and arms and forces his mom to help him. The ex-con grabs a woman and her son several times but never causes any harm. In flashbacks, we see how two accidental deaths occurred. There's a disturbing sequence when a woman recalls several miscarriages and a still birth (you see her crying, screaming, and crouching with blood streaming down her legs, and you also see her holding her stillborn baby). A mother slaps her wheelchair bound son across the face.
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Sex, Romance & Nudity
There are a couple of flashbacks to a young man kissing and having sex (mostly clothed) with his girlfriend. A boy hears his mother and a man making love, and there's an uncomfortable undertone of jealousy. A middle-school-aged girl talks to another tween about sex and how it makes adults crazy, is addictive like a drug, and causes people (including divorced parents) to do risky, dangerous things or to get rid of their kids. A tween also mentions incest.
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Products & Purchases
Scenes in a supermarket and kitchen include shots of the following brands: Ford station wagon, Coca Cola, Tab, Quik, Promise margarine, Yuban coffee, GE lightbulbs, Glamour, Mademoiselle, KoolAid, Hi-C,
Drinking, Drugs & Smoking
Adults drink in a bar in one flashback scene.
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Parents Need to Know
Parents need to know that Labor Day is a romantic drama centering on an escaped convict and a lonely single mother with more discussion of sex than actual scenes of it (although there are brief flashbacks to a young couple making love, while mostly clothed, and some late-night sex noises a teenager overhears). There's a hint of violence when a man gruffly grabs a teenager or a woman, but the more disturbing scenes involve flashbacks to accidental deaths and a string of sad miscarriages. There are some uplifting messages about how people can fall in love and affect one another in just a few days, but there's also confusing messages about harboring a fugitive because he could be the love of your life. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
It's unclear what director Jason Reitman (Juno, Up in the Air) is trying to accomplish with this well-cast piece of treacle. Maybe he wanted to show he could direct an earnest film and still keep his cred as a brave and innovative director. But the result is a movie so overly sincere, melodramatic, and emotionally manipulative it makes The Bridges of Madison County seem edgy by comparison. It doesn't help that Reitman tries so hard to insert Terrence Malick-esque shots with natural light, close-ups of trees and grass and stillness. Only, it doesn't work. Even with the amazing cast, Reitman has only succeeded in making his worst movie to date.
Sure, this will play well with a segment of the population that likes poignant, doomed romances, and it must be admitted that there are brief moments when the heart-tugging and the drama will overcome even the most jaded moviegoer (particularly when it involves Henry and Adele). But those instances last for a few beats, and then you realize that the overwrought material (a Stockholm Syndrome love story) just isn't a good fit for Reitman's skills as a filmmaker, and it's certainly not fitting of actors of Winslet and Brolin's caliber. The movie is at its best when it deals with the mother-and-son relationship, and it's worst when it flashes back to the tragedies of Adele's and Frank's younger selves. Ultimately, it's such an uneven drama it leaves you dangerously devoid of emotion when it's done, except for perhaps frustration.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.