A Lot or a Little?
What you will—and won't—find in this movie.
Promotes integrity and empathy. Be proud of your work and stand up for the truth, even when it means risking your popularity.
Positive Role Models
It's difficult to consider anyone a clear role model, but Mank does care about his fellow writers and the fact that they're being asked to compromise their values for the studio. He cares about his wife and family, and his workers. It's revealed that Mank helped families escape Nazi Germany. But he's also an unrepentant alcoholic who doesn't even try to stop drinking. His wife is devoted, thoughtful, caring. Marion Davies knows she's second-fiddle but is loyal to William Randolph Hearst. Orson Welles is obviously an outsized talent, but also self-absorbed about controlling all aspects of the movie.
Violence & Scariness
Mank is in a car accident that causes him to be in a cast. A character dies by suicide with a handgun. L.B. Mayer screams at various people.
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Sex, Romance & Nudity
Married/loving couples hug, dance, hold hands. Two brothers have a conversation about whether the term "Rosebud" refers to Marion Davies' genitalia.
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Occasional strong language and insults, including "f--king," "f--k," "s--t," "s--tty," "goddamned," "bastard," "junk dealer," and "you're nothing." "Jesus" used as an exclamation. Hearst calls Mank the "organ grinder's monkey."
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Drinking, Drugs & Smoking
Mank has an alcohol dependency and drinks to excess on a regular basis, sometimes stumbling around, slurring words, near passing out. Adults drink a lot at parties and bars. Adults also smoke cigarettes in many scenes. Drugs are mentioned, and some adults add medicinal toppers to their drinks.
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Parents Need to Know
Parents need to know that Mank is director David Fincher's black-and-white period drama about renowned screenwriter Herman J. "Mank" Mankiewicz (Gary Oldman) working with hotshot director Orson Welles (Tom Burke) on the first draft of Citizen Kane. The movie details how Mank based the screenplay on the life of newspaper magnate William Randolph Hearst, including his relationship with Marion Davies. Mank is an unrepentant alcoholic who often drinks to excess, up to the point of vomiting, stumbling, and nearly fainting. As was common for the late 1930s and early '40s, adults also smoke cigarettes and mention/take drugs, sometimes adding medicinal toppers to their drinks. One character dies by suicide using a handgun (it's heard but not shown). Language is occasionally strong, with a couple of characters known for their colorful swearing and use of "f--k," "s--t," etc. Although there are no love scenes, couples do embrace, dance, and kiss briefly, and, in one conversation, two men discuss whether "Rosebud" is a reference to a woman's body parts. Families who watch the movie -- which promotes empathy and integrity -- with their teens will have plenty to discuss and may benefit from watching Citizen Kane together afterward. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
There's something extraordinary about an auteur like Fincher paying tribute to the importance of the screenwriter, who, in the case of this fabulously performed drama, is his late father. Oldman, who's played everyone from Sid Vicious to Winston Churchill, continues to excel at immersing himself in real-life characters. He's in top form as the hard-drinking, intellectual writer who no longer has a steady studio gig but has been tapped by Welles to write the first draft of his epic. This is a talky film, with Mank giving speeches about everything from the Germans' war strategies (it's 1940) to the many ways he hates Louis B. Mayer to the reasons he detests the ways moguls use and abuse everyone for their selfish purposes. Oldman shines best when he's going toe to toe with Dance, a formidable actor who was born to play powerful men, and Seyfried, who's terrific as Davies. She might have been dismissed as Hearst's real-life "blond Betty Boop," but Seyfried's version of Davies is smarter than she seems, witty, funny, and kind.
Visually, the film is stunning, with striking, relevant use of black and white. Fincher employs his signature wide shots effectively and composes the scenes to stress Mank's state of mind. For a movie set decades ago, it explores many current themes, particularly related to the rise of political theater and how MGM helped spread misinformation about Democratic Party gubernatorial candidate Upton Sinclair, who hoped to address poverty. Dance's quiet but powerful comment about Mank, and perhaps Hollywood writers in general, being the "organ grinders' monkeys" -- puppets for the far more powerful -- is also startlingly thought-provoking. Fincher is a world-class filmmaker, and Mank is an impressive film, a powerful study of who -- and what -- led to what some consider the greatest movie of all time.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.