Master Harold...and the Boys

Play-based movie examines racism's toxic effects.
Master Harold...and the Boys
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.
Suggest an Update
A Lot or a Little?
The parents' guide to what's in this movie.
What Parents Need to Know
Parents need to know that Master Harold...and the Boys is based on Athol Fugard's acclaimed 1982 play set in 1950 apartheid South Africa. Fugard explores the way children learn their prejudices, and the way society and parents instill bias in each new generation. A disabled man is an alcoholic and brings shame on this family. A white boy copes with his embarrassment and takes out his disappointment on kind and sympathetic black people. The boy uses language that includes "f--k" and "s--t." A man moons a disrespectful boy. A man talks about beating his wife. A boy hits a man with a ruler and spits in his man's face. A boy makes it clear that he harbors racist sentiments, then confirms it when he tells a racist joke. A boy walks in on a couple having sex; no nudity.
Community Reviews
Powerful play - great film - needed for our time.
Report this review
What's the Story?
MASTER HAROLD... AND THE BOYS is the 2010 movie based on Athol Fugard's 1982 play about the struggle of black people in South Africa. The play was originally banned for its forthright portrayal of apartheid's ugliness and inhumanity, and for today's viewers it's useful to know that the South African system of racial oppression continued until 1991. Hally (Freddie Highmore of TV's The Good Doctor) is a 17-year-old white high school student who has enjoyed a close relationship with "the boys," Sam (Ving Rhames) and Willie (Patrick Mofokeng), the black employees who clean and serve in his mother's tea room. Before blacks were banned from living in their area, Sam lived in servants' quarters near Hally's family. Sam was close with the boy, a kind of beloved babysitter. It becomes clear that Hally's hapless dad, who lost his leg falling down a gangway on his way to serving in WWI, is now a hopeless alcoholic, hospitalized, probably to dry out. Hally hangs out after school at the tea room, but on this rainy day, the place is empty and Sam and Willie are living out their ballroom-dancing competition dreams. Hally is distracted by his father's condition and his disdain and racism flair up as he contends with the prospect of Dad returning from the hospital before being completely "well" (sober). Hally speaks ill of his dad as he dreads his return. Here Sam displays his humanity and kindness. Even though the father is racist, Sam cautions Hally to temper his angry words, which angers Hally further as he recognizes that he's being lectured by a "lowly" black man. Even though that black man has always been the caring man who played the role of surrogate father, suddenly Hally strikes out, testing the power given him by the apartheid regime. He hits Willie with a ruler and threatens Sam's job, demanding Sam address him as "Master Harold," reflecting the power differential between a white "man" and a black in that country at that time. Sam counters eloquently, suggesting that Hally is misplacing anger at his father and directing it at the supportive and kindly Sam.
Is It Any Good?
This was a groundbreaking play in 1982 about the way people stoop to institutionalized injustice when they can't defend their bad behavior in any other way. But Master Harold...and the Boys suffers from the play-to-film transition, leaving all but the end feeling stilted. The play was set entirely in the Port Elizabeth tea room, designed to capitalize on the willing suspension of disbelief theater-goers eagerly engage in. As written for the screen by Nicky Rebelo and staged by director Lonny Price, the movie barely overcomes the theatrical limitations to expand into a fuller, more movie-like recreation of a real-ish universe.
Nevertheless, Ving Rhames beautifully portrays the compassionate and philosophical Sam, and Patrick Mofokeng embodies the stunted potential of so many good black men kept down in enforced poverty, ignorance, and unfairness. Fugard's final moments of eloquent protest, as uttered by Sam, demonstrate that in the act of demeaning others, we demean ourselves more.
Talk to Your Kids About ...
Families can talk about how it's just as easy to teach children compassion and generosity as it is to teach them hate and selfishness. Where did Hally learn his prejudice in Master Harold...and the Boys?
Why do you think some people like to denigrate those who are different from them? Do you think there are economic advantages to prejudice? What are some examples?
How do you think people can be persuaded to abandon their prejudices? How did South Africa overthrow apartheid?
Movie Details
- In theaters: May 4, 2010
- On DVD or streaming: October 11, 2011
- Cast: Ving Rhames, Patrick Mofokeng, Freddie Highmore
- Director: Lonny Price
- Studio: Image Entertainment
- Genre: Drama
- Character Strengths: Compassion, Integrity
- Run time: 87 minutes
- MPAA rating: PG-13
- MPAA explanation: for brief sexuality and some language
- Last updated: March 8, 2023
Our Editors Recommend
For kids who love dramas
Character Strengths
Find more movies that help kids build character.
Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
See how we rate