Me and Orson Welles

Movie review by
S. Jhoanna Robledo, Common Sense Media
Me and Orson Welles Movie Poster Image
Breezy period film not meant for tween Zac Efron fans.
  • PG-13
  • 2009
  • 114 minutes

Parents say

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Kids say

age 12+
Based on 3 reviews

A lot or a little?

The parents' guide to what's in this movie.

Positive Messages

The underlying message is that fame and stardom don't measure up to love and learning. But it takes a while for the main character to discover this, and others don’t at all.

Positive Role Models & Representations

A mixed bag. Main character Richard has a can-do attitude that’s hard not to like, though his bravado borders on arrogance. He also skips school and dismisses his mother's concerns. Welles is an egomaniac, but his outsized talent clearly helps others forgive his flaws. And Sonja is so hungry for success that she’s willing to break hearts if it means that she'll make her way into a bigger and better world.

Violence

Men argue over a girl; a stage carpenter grows irate with a director, and they nearly come to blows.

Sex

A man and a woman spend the night together together; later, she beds another guy, which angers the other (no nudity is shown). Men discuss ways to seduce women and make a bet on which one of them will manage to sleep with a specific woman first. A married actor cheats on his pregnant wife.

Language

A fair amount of swearing, including “sons of bitches,” “bastard” and “s--t.”

Consumerism

Mention of Wheaties.

Drinking, Drugs & Smoking

Social drinking; a high school senior downs a glass of wine and smokes a Cuban cigar.

What parents need to know

Parents need to know that this 1937-set Zac Efron showbiz dramedy from Dazed and Confused director Richard Linklater is a world away from High School Musical (though Efron does sing). It tackles mature themes -- including infidelity and opportunism -- that aren't age-appropriate for Efron’s tween fan base, and the movie's initially slowish pace may turn off even some older fans. But when things get going, the movie is breezy fun for those who appreciate showbiz history. Expect some strong language (including "s--t"), a bit of drinking and smoking, and references to sex (though nothing graphic is shown).

User Reviews

  • Parents say
  • Kids say

There aren't any reviews yet. Be the first to review this title.

Teen, 14 years old Written bycheese-process January 22, 2011

Nothing wrong with it!

The Common Sense review said it was "not age appropriate" and under "Is It Any Good?" they criticized the movie for being imperfect. Well,... Continue reading
Teen, 13 years old Written bySelenaGomezfan110 November 9, 2010

Why I rated this iffy for ages 13-14.

Some Scarceley Explicit References to sex, a young Man of 17 drinks a glass of wine due to peer pressure and takes a cuban cigar, but does not smoke it. Plus, t... Continue reading

What's the story?

It’s 1937, and wunderkind thespian Orson Welles (Christian McKay) is at a make-or-break moment, about to open a modernized version of Julius Caesar at the Mercury Theater. His world collides with that of Richard (Zac Efron), a teenager who yearns to move beyond the confines of his high school. He gets what he wishes when he encounters Welles and his troupe on a busy New York street and is offered a small-yet-crucial part in the play. But is he up to the task -- both as an actor and as a man discovering the allure of women?

Is it any good?

Despite its jaunty pace and rat-a-tat banter, it takes a while for ME AND ORSON WELLES to find its groove. Based on a historical novel by Richard Kaplow, it has the period details down pat, but it feels self-consciously meticulous, unable to really enjoy its script about the backstage foibles of a theater production. Perhaps it’s because, able as he is, Efron feels thoroughly too modern to believe, and the stage actors seem too, well, actor-ly. (McKay, as Welles, is compelling, but you never completely forget that he’s playing make-believe.) Claire Danes, as an ambitious secretary, emotes with authenticity, but even she feels overdone.

Then a funny thing happens on the way to (Caesar’s) forum: Halfway through the movie, we begin to care, largely because a love triangle of sorts develops. And by the time the curtains fall, we care very much indeed and are actually transfixed by the show we glimpse onscreen. (Linklater tried to recreate as much as he could of Welles’ Shakespearean oeuvre, and the icon fascinates.) The soundtrack carries viewers through beautifully, too. Bottom line? The movie’s imperfect, but it sure is a swell diversion.

Talk to your kids about ...

  • Families can talk about how the movie compares to other coming-of-age stories. What does Richard learn from Orson Welles -- and about himself?

  • Who do you think the movie is intended to appeal to? Does it succeed?

  • Why doesn't Richard feel like high school is big enough to contain him? Is he being fanciful, or is he right?

Movie details

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