Memoirs of a Geisha

In MEMOIRS OF A GEISHA, Sayuri (played as an adult by Ziyi Zhang) is sold by her poor family to a geisha house, or okiya, when she's just nine; her blue eyes make her look "special" and Hatsumomo (Gong Li) is immediately jealous, threatening the child. The film westernizes Sayuri, in part by having her yearn endlessly for the wealthy Chairman (Ken Watanabe), whom she meets as a child. But it also preserves her "exotic" otherness. The geisha insist they are not prostitutes, selling sex only as illusion. They do, however, sell their virginity, and pride themselves on being well paid for it. The fact of Sayuri's stunning blue eyes only underlines this refusal to engage with the hardships geishas endure as a matter of course. She is "special," she is treasured, she is property. Sayuri's displays of artifice are lovely and a little daunting. Images of this lifelong process of objectification are framed by others that approximate "history," including the Sino-Japanese war, which leaves the okiya devastated, and Sayuri laboring in a field. She does find her way back into geisha-ness, depicted as a kind of triumph. The fantasy remains the most precious object, whether embodied by gorgeous women or imagined by them.