A lot or a little?
The parents' guide to what's in this movie.
What parents need to know
Parents need to know that Mile 22 is an extremely violent spy/military thriller about a CIA paramilitary squad (led by Mark Wahlberg) that's tasked with safely transporting a person with crucial information. Expect strong, bloody violence throughout, including lots of shoot-outs, stabbings, and fistfights (many with pretty brutal beatings). People get blown up and shot at close range, and in one scene, a person's neck is dragged back and forth over jagged glass. There's also tons of strong language, especially "f--k" and "s--t." Lauren Cohan (The Walking Dead), MMA star Ronda Rousey, John Malkovich, and martial arts performer Iko Uwais co-star.
- Parents say
- Kids say
What's the story?
In MILE 22, James Silva (Mark Wahlberg) leads an elite CIA paramilitary squad that also includes Alice Kerr (Lauren Cohan), Sam Snow (Ronda Rousey), and Bishop (John Malkovich). The team is tasked with spiriting Li Noor (Iko Uwais), a man with crucial information, out of Indonesia. But the clock is ticking, and it seems like the entire city is coming down on the team as a mysterious Russian intelligence unit observes from afar.
Is it any good?
If you accept some nagging loose ends and intentionally jagged filmmaking, this is an enjoyable action thriller with some surprises. Director Peter Berg and Wahlberg's fourth collaboration, Mile 22 has some of their hallmarks: gritty style, vérité, handheld camera work, a macho vibe, and violence. But there are two major differences. First, Wahlberg attempts a full-on characterization (for better or worse, he's not known as a transformational actor) and only occasionally succeeds. And second, Berg opts for a machine-gun filmmaking style, and that's not a good thing. The editing and cinematography choices make it difficult to follow the action, which is a shame when they’ve cast Uwais (The Raid), one of today’s most exciting martial-arts stars. You simply can't see what he's doing much of the time. In style, the movie is more like The Bourne Supremacy than, say, Mission: Impossible -- Fallout. That approach may, at times, be related to Wahlberg's character, who has his own challenges to deal with. Perhaps Berg was trying to convey the jumble in Silva's head, but the characterization and approach are inconsistent.
It's fascinating to see the movie's modern warfare elements, melding boots-on-the-ground action with high-tech, eye-in-the-sky support. And there are interesting contemporary references, including to Russian hacking as a plot element. Cohan ratchets up her action cred from zombie slaying in The Walking Dead to trained killer here. The script has both good moments (including a funny but profane rant by Terry Kinney) and head-scratching ones (the framing device of a debriefing isn't helpful, and the ending will leave many wondering about some things). And you have to be very willing to suspend your disbelief during scenes like the one in which this supposedly ultra-secret team conducts all-out warfare in broad daylight in a busy city before countless cameras. Still, Mile 22 brings the type of action scenes genre fans want and goes to some surprisingly dark places.
Talk to your kids about ...
Do you consider any of the characters role models? Why or why not?
The movie includes some references to contemporary politics. Did that help create the film's world, or did it not matter to you?
At the end of the film, did all the plot elements make sense to you? Is that important?
- In theaters: August 17, 2018
- On DVD or streaming: November 13, 2018
- Cast: Mark Wahlberg, Lauren Cohan, Ronda Rousey, Iko Uwais
- Director: Peter Berg
- Studio: STX Entertainment
- Genre: Action/Adventure
- Run time: 95 minutes
- MPAA rating: R
- MPAA explanation: strong violence and language throughout
- Last updated: September 20, 2019
For kids who love action thrillers
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Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
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