Parents' Guide to My Father's Violin

Movie NR 2022 112 minutes
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Common Sense Media Review

Barbara Shulgasser-Parker By Barbara Shulgasser-Parker , based on child development research. How do we rate?

age 13+

Aloof uncle bonds with niece; emotional intensity, drinking.

Parents Need to Know

Why Age 13+?

Any Positive Content?

Parent and Kid Reviews

age 10+

Based on 5 parent reviews

age 9+

Based on 3 kid reviews

What's the Story?

In MY FATHER'S VIOLIN, Ozlem (Gulizar Nis Uray) is around 8, daughter of Ali Rizi (Selim Erdogan), a street violinist who plays folk tunes with his colleagues as his young daughter boldly sings, dances, and passes the hat to admiring crowds. They busk every day until the police chase them away. Ozlem doesn't have a mother and doesn't go to school, yet she's bright, warm, charming, outgoing, and amazingly self-possessed. When her father dies, coughing up blood, child welfare takes over and contacts Ali's brother Mehmet (Engin Altan Duzyatan), a successful violinist with a solo career, wealth, renown, and the means to care for Ozlem. But he wants no part of her. He's arrogant and cold, so obsessed with his career that he drives his wife away. And he's still angry at his older brother for all the wrong reasons, remaining too busy and self-centered to take the child. He agrees to legally gain custody in order to hand her over to the loving street musicians who want her, but child welfare sees the scam. Just when Mehmet and Ozlem bond, the authorities take her away. As Mehmet softens, he demonstrates that loving others is more important than his career.

Is It Any Good?

Our review:
Parents say ( 5 ):
Kids say ( 3 ):

It's impossible not to adore lead actors Uray and Duzyatan as they lock horns and then bond. The development of this key relationship makes all the clichés, predictability and unsurprising plot turns minor deficiencies in the charming My Father's Violin. This is hardly a great film, but the energy and joy that emanates from Ozlem and the roiling rage and deep affection that co-reside in Mehmet as he evolves into someone we can love erases the story's many annoying and unbelievable plot conveniences. The end is the least plausible of all, in which an entire orchestra and two violinists who have never rehearsed burst into spontaneous perfection. Who cares? It's fun.

Talk to Your Kids About ...

  • Families can talk about the predictability of the setup -- a hard-hearted man slowly softens. Does the movie overcome the clichés? Why or why not?

  • How does this movie cater to our desire for happy endings?

  • Why do you think Mehmet changes? Do you believe the transformation? Why or why not?

Movie Details

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