No Sudden Move

Movie review by
Barbara Shulgasser-Parker, Common Sense Media
No Sudden Move Movie Poster Image
Engaging heist movie has strong language, violence.
  • R
  • 2021
  • 115 minutes

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The parents' guide to what's in this movie.

Positive Messages

People with money and power are more concerned with maximizing profits than with doing what's best for the community. Often thieves and criminals will betray each other, but at times they conduct themselves honorably, better than supposedly upstanding citizens. "Self interest is the sincerest form of flattery." Police sometimes help rich bad guys. "They got eyes; just can't see."

Positive Role Models & Representations

Curtis is smart and wary. A man is told, "You're not smart enough to know how not smart you are." People in power are corrupt. A criminal behaves with honor and doesn't take more than he needs. Diverse cast.

Violence

A man betrays a friend because his family is threatened. We learn a man attacked in prison with a knife had to stab his assailant to survive. People are beaten, thrown in car trunks, and shot to death.  A White man refuses to sit next to a Black person. An abusive husband, who has been beaten by rival gang members, learns his wife has been cheating on him. Her face is bloodied and bruised. He gets shot and killed.

Sex

Married people have affairs.

Language

"F--k," "s--t," "goddamn," "Jesus Christ," and the racist epithet "Sambo." A man implies he removed the "stein" ending of his surname so that no one would assume he was Jewish.

Consumerism
Drinking, Drugs & Smoking

Adults smoke cigarettes and drink alcohol. "Wine is good for you. Ask Jesus," says one thief. "So is having a clear head. Ask Pontius Pilate," retorts another.

What parents need to know

Parents need to know that No Sudden Move is a heist thriller set in the 1950s. Director Steven Soderbergh uses the genre to explore racism, anti-Semitism, the unfair American power structure, automobile-related pollution, and other social ills. Married characters have affairs, but there's no sex or nudity. Double-crosses and plot twists abound. Two men are roughed up and thrown into car trunks. Characters are held hostage at gunpoint, beaten, shot, and threatened. Language includes "f--k," "s--t," "goddamn," "Jesus Christ," and the racist epithet "Sambo." A man implies he removed the "stein" ending of his surname so that no one would assume he was Jewish. A White man refuses to sit next to a Black person. Characters smoke cigarettes and drink alcohol.

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What's the story?

In NO SUDDEN MOVE, an automotive executive has a secret report describing plans for a car part that can limit car pollution. The executive is hiding it from his bosses and trying to sell it to bigger car companies eager to bury the report because in the 1950s, those corporations hadn't yet admitted that burning gasoline causes air pollution. Curtis Goynes (Don Cheadle), fresh out of prison, and  the dim-witted  bad guy Ronald Russo (Benicio Del Toro) are hired to baby-sit the family of Matt Wertz (David Harbour), a car company accountant, while Charley (Kieran Culkin) drives Matt to steal the document out of his boss' safe. Matt is planning to leave his wife for his boss' secretary, Paula (Frankie Shaw), complicating the plot. After someone dies by gunshot, Curtis realizes he can make far more money peddling the document higher on the food chain. Multiple double crosses ensue, the police play a corrupt role, and a racist, anti-Semitic White automotive executive demonstrates that he and others like him are calling the shots in American society, without regard for the law.  At the heart of this heist story is a series of other crimes more far-reaching than holding a suburban Detroit family hostage. The movie suggests that evacuating inner cities of minority populations to make way for highways and office parks, red-lining, gentrification, and other racism-based programs implemented across the country were and continue to be part of boosting an American economy that depended at least partly on the widespread use of cars and trucks.

Is it any good?

No Sudden Move is an extremely likable caper movie that nods to many iconic films of the past. The plot's nearly incomprehensible twists and turns mimic Beat the Devil and The Big Sleep, films with famously hard-to-follow narratives. The hostage set-up echoes 1940s and '50s tension-fests Suddenly, The Desperate Hours, and Key Largo. The message of corporate corruption at the expense of a naïve public echoes the cynicism of Network, Steven Soderbergh's own Erin Brockovich (about water pollution), and Chinatown, about how wealthy parties took control of access to water in dry Southern California. Soderbergh is a student of film as much as he's a gifted filmmaker and storyteller, so his nod to past films is no surprise, nor is the film's studied noir-ish feel, as these characters seem to move through a brown cast to the air around them.

 Performances are solid and reassuring, and it doesn't seem coincidental that some of the smartest characters here are women -- played by Frankie Shaw, Julia Fox, and Amy Seimetz as Matt's weary wife. The film feels most old-fashioned and unnecessarily talky when it allows an elite executive played by Matt Damon to deliver an absurdly chatty philosophical tangent that manages to offend and insult most minorities. That brings the movie around to reverse-Frank Capra territory, where we are cynically lectured, as in Network, that none of us little guys can effectively fight the powerful executives who really run things.

Talk to your kids about ...

  • Families can talk about the way a family taken hostage deals with their ordeal. What does the pressure reveal about the relationships in the family?

  • How do you think your family would react if you were put in that position?

  • What does the movie say about the way that car companies have conducted themselves with regard to causing air pollution?

Movie details

Our editors recommend

For kids who love dramas

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