A Lot or a Little?
What you will—and won't—find in this movie.
Following an accidental death, the teen boy responsible struggles with guilt and not being caught; skater kids are mildly disrespectful to a teacher and a detective; high school kids have (protected) sex; parents are distracted.
Violence & Scariness
The story centers on an accidental murder that's shown near the end in graphic images (a boy slams a security guard running after a train with his skateboard, the man falls under an oncoming train on parallel tracks and is cut in half, and his top half crawls toward the boy). At another point, the boy sees a photo of the man's legs and leaves the room to throw up. The boy hides his bloody shirt.
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Sex, Romance & Nudity
Teen boys discuss sex: A girlfriend is a virgin and pressures a boy to "do it," a boy offers a "hottie" as collateral when he borrows someone's skateboard, and the teens talk about buying "more condoms" after their first sexual activity. The single actual sex scene is very blurry and close up; a girl's naked torso is visible (but blurry). You also see her back as she puts on her bra, and her thong is visible from the back as she stands.
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A couple of uses of "f--k," plus "s--t" and derogatory uses of "fag" and "fat lard."
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Products & Purchases
Mentions of Rite Aid and Frappuccinos. Band T-shirts.
Drinking, Drugs & Smoking
Boys discuss beer and carry bottles as they walk.
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Parents Need to Know
Parents need to know that, despite its focus on skateboarding, this film isn't for kids. It includes a grisly death in which a man falls on train tracks and is cut in half (the imagery is vivid and upsetting). Themes are mature as well, including divorcing parents, teen sex, guilt, remorse, and a troubled sort of "getting away with murder." The one actual sex scene is very blurry and hurried (it's the teen characters' awkward first time). To fit in, a boy drinks beer. Some strong language, including "f--k." To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Gus Van Sant's film is as lovely and evocative as any he's made. Following Alex from shimmery school hallways to the skate park pulsing with energy, Christopher Doyle's handheld camera never pushes hard, but looks gently into Alex's eyes or tags along with him on the sidewalk, as if wondering how he came to be so sad and baffled. Though Alex can't tell anyone about the accident, he's haunted by it in the form of ghastly crime scene photos and grisly flashbacks. His onetime escape -- watching the Park skaters who appear to him as lyrical athletes -- is lost. Now he seeks not community or solace, but a way to release the weight bearing down on him.
Based on Blake Nelson's young adult novel, the movie realizes Alex's desperate, poetic point of view in layers. His halting voiceover, as if he's reading his journal entries, works well with the film's uneven editing and skips back and forth in time. And his view, so limited and naive, shapes the appearances of both adults and his friends. When he speaks with his father, who's moving his things out, the camera keeps so tight on Alex's face that his dad remains nearly unrecognizable in the background. With nowhere to turn, Alex tries confessing without confessing, sharing a vague story of guilt with a friend. When she suggests that "getting it out" is enough, whether or not anyone else hears it, he silently takes her advice, even as the film leaves the impact of that choice open.
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Our Editors Recommend
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