Ray

Jamie Foxx creates such a real and vivid person that we almost forget that he is re-enacting someone else's life. The movie's two greatest strengths are Foxx's incendiary and fully-inhabited performance and Charles' peerless music. There are also outstanding supporting performances, including Kerry Washington as Charles' wife Della Bea, Regina King as back-up singer (and mistress) Margie, and Curtis Armstrong as Atlantic records executive Ahmet Ertegun.

But RAY focuses too much on Charles' personal life, and not enough of the process, inspiration, collaboration, or the passion that made the music. It also tries to cover too long a time span, and has too many undeveloped peripheral characters. It over-simplifies the influences and developments in Charles' life and music with too-frequent revelatory flashbacks that tie his reactions and each of his songs to particular revelations and turning points. But there are many moments of great power as Charles says he must be paid in singles so he cannot be cheated and insists on owning his own music instead of letting the studio control it. He breaks through musical barriers that separate R&B from country and societal barriers that allow a black man to perform in segregated venues. And every time he plays and sings, it is pure magic.