Parents' Guide to

Something Wicked This Way Comes

By Barbara Shulgasser-Parker, Common Sense Media Reviewer

age 12+

Book-based '80s movie about an evil carnival is scary.

Movie PG 1983 96 minutes
Something Wicked This Way Comes Poster Image

A Lot or a Little?

What you will—and won't—find in this movie.

  • Something Wicked This Way Comes Movie: Scene #1
  • Something Wicked This Way Comes Movie: Scene #2
  • Something Wicked This Way Comes Movie: Scene #3

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age 11+

Based on 4 parent reviews

Sinfoniarc
Sinfoniarc Parent
August 8, 2019
age 13+

More Darkness From 1980s Disney

This is another example of Disney's attempt at straying away from their kiddie movies of the 1980s. Let's face it, the 1980s weren't exactly a booming time for Disney cinema. Something Wicked This Way Comes (the name comes from Shakespeare's Macbeth) is rated PG, but ultimately should be re-rated to PG-13. PG-13 ratings would not come on the scene until 1984, one year after this movie was released. Having said that, it's not worthy of an R rating, but is likewise not suitable for younger children. For Christian families: consider the occult aspect of this movie before allowing your kids to watch it. It deals with a haunted carnival, black magic, and things that you may not want to expose your kids to.
1 person found this helpful.
Holbro
Holbro Adult
September 18, 2020
age 15+

Frightened me for 20 years

I had the unfortunate experience of my kindergarten teacher showing this to our class when I was 5/6. It frightened me beyond all comprehension for 30+years. Even the sound of the musical score makes my skin crawl today at age 43. Not for small children. At. All.
See all 4 parent reviews

What's the Story?

SOMETHING WICKED THIS WAY COMES recalls an earlier time in small town Midwest America when everyone knew everyone and felt safe and secure in the comfort of tradition and continuity. This is disrupted when a carnival arrives on a mysterious, middle-of-the-night train. The tents, rides, and games go up in seconds, as if by magic, and soon terrible things are happening to townspeople, including Will and Jim (Vidal Peterson and Shawn Carson), two 10-year-old boys who are chased and caught and who worry about their imminent murder. The carnival owner, a man named Dark (Jonathan Pryce), is an incarnation of the devil, and the evil he casts depends on understanding each person's deepest desire and then fulfilling it, with a devastating twist. A lightning-rod salesman gets tortured with electricity. An aging teacher is given a moment back in the beauty of her youth and then is immediately struck blind before she can admire herself. Anyone who rides the carousel backward gets younger, even going into infancy if Dark so desires. There is much scary music, thunder, lightning, nefarious green mists, and a roomful of tarantulas designed to terrify the boys because "they know too much." It turns out, with no explanation, that one man, a librarian with a bad heart (Jason Robards), has the power to save the town from evil if he just refuses to take what he wants most from Dark, his lost power and youth.

Is It Any Good?

Our review:
Parents say: (4 ):
Kids say: Not yet rated

The book-to-movie road is strewn with disappointing results, and while this horror-fantasy boasts many assets, overall it's more puzzling than entertaining. Ominous music and freak-show oddities (an ex-football player with only one arm and one leg hops around) set the stage early on for doom and the triumph of evil, but it's a full hour before there's the tiniest attempt to explain what the evil is about and why it has chosen its particular victims. For this reason kids may be scared and still not have the slightest idea what the movie is about.

On the plus side, Bradbury has cleverly created Dark, an ironical devil who pits the longing of childhood -- to grow big -- against the longing of middle age -- to regain youth. Also in its favor, the movie has an almost archaic appreciation for poetic language, which may be attributable to the fact that the book's gifted author, Ray Bradbury, also wrote the screenplay. This leaning probably also accounts for the film's generally literate tone, but, unfortunately, often what works on the written page can seem out of place on-screen. Further along those lines, the literary/cinematic bent of director-actor Orson Welles is deliberately evoked here, as the film's climactic scene is staged in a hall of mirrors but not nearly as artfully as when Welles' did it himself in his 1948 The Lady from Shanghai.

Talk to Your Kids About ...

  • Families can talk about scary movies. Why is it sometimes fun to be scared?

  • This movie was released in 1983. Do you think Disney would make a movie like this today? Why, or why not?

  • This movie was based on a book by Ray Bradbury. How does the movie compare to the book?

Movie Details

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