Spell

Spell seems confused about what it wants to say about Blackness, if it wants to say anything at all. The movie is directed by Mark Tonderai, who's Black, and written by Kurt Wimmer, who's White. Writers from any racial background can write stories with characters of color, but it's important for writers to do research and have empathy for the culture they're representing. Yes, the film is scary and entertaining, with Devine playing spectacularly against type as a villain. And it tries to make commentary on self-acceptance/accepting your past, since Marquis has to come to terms with his turbulent childhood with his voodoo-obsessed father in order to defeat Eloise and her disciples. But beyond the entertainment, head-scratching moments reign.

For instance, Veora gets more offended by Tydon using the term "country ass" to make fun of a Black teenager than when he uses the "N" word to describe the same person. Also, the film's "good guys" are lighter skinned than a majority of the "bad guys," who are darker skinned, evoking Hollywood's history of colorism. And voodoo is flattened into a base-level demonic religion instead of being shown as a misunderstood African spiritual practice. Here, voodoo is both stereotyped and imbued with supernatural powers, such as causing a cat's tongue to give a woman her speaking ability back and a goat's eyes being used for a blind man. Ultimately, the film seems like it uses the trappings of Black culture simply because that's now popular in horror, not because the film's writer had something poignant to say about Blackness in America.