Parents' Guide to Stream

Movie NR 2024 123 minutes
Stream Movie Poster: A man looks at a monitor that shows a giant face with a hood and a sinister, sneering mask

Common Sense Media Review

Jeffrey M. Anderson By Jeffrey M. Anderson , based on child development research. How do we rate?

age 16+

Gory slasher mixes blood, commentary about online behavior.

Parents Need to Know

Why Age 16+?

Any Positive Content?

Parent and Kid Reviews

age 15+

Based on 3 parent reviews

What's the Story?

In STREAM, Roy Keenan (Charles Edwin Powell) and his wife, Elaine (Danielle Harris), decide that it's time for a family getaway with their troubled teen daughter, Taylor (Sydney Malakeh), and 11-year-old video game-obsessed son, Kevin (Wesley Holloway). They check in at the Pines Resort, where they all stayed during an earlier, warmly remembered trip. But things start off on the wrong foot when they're greeted by manager Lockwood (Jeffrey Combs) and informed that there's no Wi-Fi at the resort. And Taylor immediately meets two cute French boys and starts plotting to run away and go to a concert with them. Then Roy discovers that the doors to the building are locked, and the phones are no longer working. It's not long before people in the hotel start getting chopped up by four masked intruders. But what's behind this murderous spree?

Is It Any Good?

Our review:
Parents say ( 3 ):
Kids say : Not yet rated

Another ultra-bloody gorefest from the team behind Terrifier, this slasher isn't as smart as it wants to be in terms of social commentary, but it works well enough as a cat-and-mouse thriller. Terrifier creator Damien Leone co-produced and helped provide makeup and gore effects for Stream, while director Michael Leavy previously served as co-producer on Leone's Terrifier 2 and Terrifier 3. (Many other cast and crew members likewise worked on all three.) This movie clearly wants to say something about the cutthroat nature of the online world and how it can bring out the worst in people, but its depiction of this is pretty narrow, with little nuance. (Movies like Spree and Nerve have done it better.) But, perhaps inspired by some of the lessons that Leone learned while making his Terrifier trilogy, Leavy and his co-writers stretch out Stream's running time and use the extra to make something out of their characters—or at least make something slightly more than just fodder for a hammer or a knife.

The Keenan family, while not exactly three-dimensional, are at least recognizable; many viewers will be able to identify with their little squabbles and dramas. And death means something here. The movie is tense, making effective use of the super-creepy grinning masks (which are far scarier than the ones used in the vaguely similar Strangers series). But this is also a nostalgia-drenched movie, fond of the kind of gratuitous sex that was common in the 1980s (and which was always met with death). Various horror legends are even sprinkled throughout the cast, including Jeffrey Combs (Re-Animator), Dee Wallace (E.T.: The Extra-Terrestrial, Cujo), Harris (Halloween 4 & 5), Tony Todd (Candyman), and Felissa Rose (Sleepaway Camp). Stream is probably too intense for casual horror fans, but if you like this kind of thing, you'll feel at home at the Pines.

Talk to Your Kids About ...

  • Families can talk about Stream's violence. How did it make you feel? Was it exciting? Shocking? What did the movie show or not show to achieve this effect? Why is that important?

  • Is the movie scary? What's the appeal of horror movies? Why do people sometimes enjoy being scared?

  • What do you think the movie has to say about the digital world and its effects on users? Is it a convincing message? Why, or why not?

  • How is sex portrayed? Is there consent? Is it gratuitous? What messages are conveyed?

  • How are drinking, smoking, and drug use depicted? Are they glamorized? Are there realistic consequences? Why does that matter?

Movie Details

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Stream Movie Poster: A man looks at a monitor that shows a giant face with a hood and a sinister, sneering mask

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