The Dig

Movie review by
Tara McNamara, Common Sense Media
The Dig Movie Poster Image
Dignified, subtle historical drama has sensuality, smoking.
  • PG-13
  • 2021
  • 112 minutes

Parents say

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Kids say

age 14+
Based on 4 reviews

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A lot or a little?

The parents' guide to what's in this movie.

Positive Messages

The movie's dominant theme is about legacy in times of death and uncertainty. Be open to discovering the truth. The true treasure is the relationships we forge.

Positive Role Models & Representations

Basil Brown is a working-class man who can't afford a university education so instead learns on his own -- including becoming an amateur archeologist, writing reference books, and ultimately making a great historical discovery. Two women pursue archeology, a male-dominated field, especially in the 1930s and '40s.


Two intensely perilous moments: A character is buried alive, and a plane crash happens off camera. Parental loss is impending due to the main character's illness; it's heartbreaking when her young son sobs because he believes that it was his responsibility to "look after his mother." 


Breasts and other body parts are revealed when a woman takes a bath, although key sensitive areas remain hidden. Passionate kissing leads to implied sex. Subtle attraction develops between two characters. The side of a breast is exposed as a woman tries to entice her husband into having sex.

Drinking, Drugs & Smoking

Frequent smoking, both cigarettes and a pipe.

What parents need to know

Parents need to know that The Dig is a drama based on John Preston's historical novel about the 1939 archeological discovery of Sutton Hoo in England. An air of impending death hangs over the story, both in the sense of England reluctantly joining World War II and in the illness of main character Edith (Carey Mulligan). Viewers understand that her young son will soon be an orphan with potentially no surviving family; it's heartbreaking when he sobs because he believes that it was his responsibility to "look after his mother." The film's messages, though, are more about curiosity, teamwork, and legacy -- the idea that our actions can stand the test of time. The "stiff upper lip" attitude of pre-war-England lends itself to creating emotionally reserved characters. Parents may want to use the opportunity to discuss how characters successfully persuade others by using calm, tactfully delivered words. All of this properness means that some iffy content may go over younger viewers' heads: You have to be able to read between the lines to realize that a married man is feeling attracted to another man -- or realize that his wife is making a sexual overture. Expect brief partial female nudity (the most sensitive areas are covered) and a moment of passion that leads to sex. Scenes of peril include a character being buried alive and a plane crash (off camera); character also smoke both pipes and cigarettes frequently, which is accurate for the era.

User Reviews

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Teen, 13 years old Written byGoose 2007 January 30, 2021

Interesting movie, with some iffy stuff in between the lines

It was a good movie, about a widow with a terminal illness who hires an excavator for her fields, which she believes was an old burial ground. This is set just... Continue reading
Kid, 9 years old February 11, 2021

Violence is not that bad but the inappropriate parts take quite a big role

I didn’t like it but it’s probably nothing your kids haven’t seen before just gonna warn you of the nudity

What's the story?

Based on real events (which were dramatized in John Preston's historical novel), THE DIG follows wealthy widow Edith Pretty (Carey Mulligan) as she hires amateur archeologist Basil Brown (Ralph Fiennes) to excavate what appear to be ancient burial mounds on her countryside property in Suffolk, England. As the country prepares to enter World War II -- and Pretty's health declines -- they hasten to complete the project.

Is it any good?

Graceful, restrained, and eloquent: The tone, aesthetic, and delivery of this drama match that of its aristocratic main character. Magnificently well-woven, the complexities of the story also resemble the excavation -- it's slow and steady, and we must keep brushing away the dust and pay close attention to slight details to discover the inner lives of the subjects. Intense feelings are bubbling under the surface but never expressed. Even the slights and jabs directed at gender and class are understated. 

While little is said in The Dig, much is understood ... and yet it's hard to distinguish exactly what it's trying to say. Gentle whispers that we live on through our actions blow around like dandelion fuzz, contrasting sharply with the abundance of blatant metaphors. For example, a short time after Brown speaks with Edith about potential riches to be found buried in the mound, the dirt collapses on him, and she digs him out -- yep, Mr. Brown is the real treasure here. Less obvious is director Simon Stone's choice to play dialogue over scenes in which the characters are shown not speaking. Once or twice, sure. But used repeatedly, the device becomes disconcerting. Still, The Dig is artful, elegant, and educational. All of this may sound enticing if you're an adult, but expect kids to be a bit confounded by the nuance. Reading between the lines isn't usually the strong suit of the young, and so for them to get the most out of the film, this is a gem that may need to stay undiscovered until they're a tad older.

Talk to your kids about ...

  • Families can talk about how we can be comforted by legacy while dealing with loss. Is there a right or a wrong way to grieve?

  • How do the characters in The Dig demonstrate restraint? Imagine this story being told as a reality show: How would it be different? In comparing the two, how is self-control an important tool in accomplishing a goal? 

  • How is this a team effort? Did the professional crew add value to the excavation? And how did Basil Brown and his team add value once the museum's experienced team came in? Why is teamwork an important life skill?

  • Young Robert cries because he believes he's failed to "look after his mother." Why do you think well-meaning people say things like this or "you're the man of the house now" to children after parental loss? Can that do more harm than good?

  • Carey Mulligan, who's in her mid-30s, plays Edith Pretty at 56. And 50-year-old Ben Chaplin plays Stuart Piggott at 29. Female actors often say that fewer parts become available to them as they age, while male actors tend to work more as they age. Do you consider this movie's casting ageist or age blind? 

Movie details

Our editors recommend

For kids who love history

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