The Elephant Man

Movie review by
Scott G. Mignola, Common Sense Media
The Elephant Man Movie Poster Image
Heartbreaking drama isn't for sensitive viewers.
  • PG-13
  • 1980
  • 123 minutes

Parents say

age 15+
Based on 3 reviews

Kids say

age 12+
Based on 9 reviews

A lot or a little?

The parents' guide to what's in this movie.

Positive Messages

Human cruelty, often dealt with a drunken hand. Exploitation of the physically afflicted.

Violence

Physical and emotional abuse; heinous neglect.

Sex
Language
Consumerism
Drinking, Drugs & Smoking

What parents need to know

Parents need to know that this emotionally intense movie contains possibly disturbing imagery of cruel treatment, deformities, and surgery. It also treats thoughtfully its themes of exploitation, kindness, and strength of the human spirit.

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User Reviews

  • Parents say
  • Kids say
Adult Written byBestPicture1996 June 6, 2014

A surreal yet completely human story

The man profiled in this movie is not a Karloff-like creature that has tusks growing from his mouth: Mr. Merrick was a real life human being with an awful condi... Continue reading
Adult Written byTimTheTVGuy February 27, 2013

Sad and awesome at the same time.

Now,I admit that this film is not for kids because of some sad scenes.But there is AWESOME drama and it's heartwarming.Teens and adults will survive it,but... Continue reading
Teen, 13 years old Written byzotoquole July 9, 2017

Awesome

Is a very good movie for adults and teens, but the kids won't get it, the movie has sad scenes.
Teen, 17 years old Written byAllyfabs June 16, 2017

This movie was bad.

I didn't like the fact that they made fun of the elephant man and forced those girls on to him. They treated him like a item and did not take into consider... Continue reading

What's the story?

In THE ELEPHANT MAN, Dr. Frederick Treves (Anthony Hopkins) makes a shocking discovery at a carnival side show: an "Elephant Man" (John Hurt) exhibiting a grotesque deformity over most of his body. Because he's sick and shows signs of abuse, he's brought to London Hospital, where he's studied and made a spectacle of all over again. Another shock comes when it becomes clear that Merrick isn't the imbecile they thought he was, but a compassionate and literate gentleman who's been playing dumb out of fear. Treves exposes him to culture, finery, things he's only dreamed of experiencing, yet a question gnaws at him. Is he exploiting his unfortunate friend for personal gain? Under his supervision, John Merrick, who suffers from "a disfigurement of the most extreme nature," is clothed, fed, shown a loving care he's never before known, but he's still on display, still a freak, and through him Treves has made a name for himself in the medical community and London society.

Is it any good?

This dark and beautiful 1980 movie is based on The Elephant Man and Other Reminisces by the real-life Treves, as well as Ashley Montagu's The Elephant Man: A Study in Human Dignity. Director and co-writer David Lynch doesn't explain the characters' actions, which makes them good topics of discussion for teenagers mature enough to tackle the subject matter.

Lynch doesn't sentimentalize, either, or tone down his trademark haunting imagery (the design for John Hurt's makeup came from casts of the real John Merrick). He gives us Victorian England in all of its squalor, but he also gives us his most deeply affecting work in starkly beautiful black and white. Standouts in a phenomenal cast are stars Anthony Hopkins and John Hurt, Anne Bancroft, John Gielgud, and Kenny Baker, the dwarf who, upon leading Merrick toward freedom, says, "Luck, my friend. Luck. And who needs it more than we?"

Talk to your kids about ...

  • Families can talk about whether the doctor who rescues the Elephant Man from a circus, only to put him on a different sort of display is a "good man," or a "bad man," as he himself wonders aloud. They might also discuss how society's treatment of the disabled has changed and how it has remained the same since the times of the Elephant Man.

Movie details

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