This is an adaptation worth seeing, particularly for the conversations you can have once the credits roll. As anyone who has read Lois Lowry's source novel will immediately notice, the movie's Jonas is five years older than he is in the book (and Thwaites was actually already in his 20s while filming!), making him a full adolescent as opposed to being on the cusp of puberty. While the aging up works when it comes to focusing on the central romantic subplot, it may upset the tweens and younger teens who related to Jonas' journey precisely because he was their age, not a teen on the brink of adulthood like the majority of young adult protagonists. But more bothersome is the fact that viewers -- unlike readers -- are limited in their connection to the cinematic Jonas and what's going on in the community, because it's not really an action story like Divergent -- it's a story of ideas that's better experienced on the page.
Of all the actors, Alexander Skarsgard (as Jonas' father) does the most subtle work, portraying how, even in such a tightly controlled society, some individuals are more loving and nurturing, even if they don't fully understand what love means. Katie Holmes (as Jonas' mother) and Streep both play unquestioning proponents of Sameness, and Rush sure is beautiful, but because feelings are manipulated in the community, The Giver is not a romance on the swoony level of Katniss and Peeta's or Tris and Four's. The characters in the community, with the exception of Jonas and the Giver, must by their very nature act eerily dispassionate, even-keeled, and neutral about everything -- even throwing a dead baby down a garbage chute. That flatness, which is so freaky in the book, doesn't work quite as well on the screen.