Parents' Guide to The Great Dictator

Movie G 1940 126 minutes
The Great Dictator Poster Image

Common Sense Media Review

Charles Cassady Jr. By Charles Cassady Jr. , based on child development research. How do we rate?

age 10+

Comic genius blitzkriegs the Third Reich.

Parents Need to Know

Why Age 10+?

Any Positive Content?

Parent and Kid Reviews

age 10+

Based on 6 parent reviews

age 10+

Based on 14 kid reviews

Kids say the film compels viewers with its mix of comedy and poignant commentary on historical events, particularly the horrors of World War II, yet it's noted that parents should prepare children with some background knowledge to fully grasp its themes and humor. While many laud Charlie Chaplin's clever satire and humor, there are concerns about inappropriate depictions of serious issues like the Holocaust, prompting suggestions to be mindful of children's ages before allowing them to watch.

  • comedy and commentary
  • requires background knowledge
  • satirical take
  • mixed reception
  • age-appropriate viewing
Summarized with AI

What's the Story?

Between WWI and WWII, a title tells us up front, insanity reigns and humanity "got kicked about a bit" in a suspiciously German-looking country called Tomania. The great Charlie Chaplin plays dual roles. One is a nameless, hapless Jewish barber, who dutifully (if ineptly) fights for his nation in the First World War and suffers amnesia. When he recovers he finds all Jews herded into ghettoes and persecuted, scapegoated for the country's economic woes under the policies of a look-alike, mustached pipsqueak dictator Adenoid Hynkel (also Chaplin) and his fascist advisors. While the strutting Hynkel dreams of world conquest, builds palaces, meets with the equally pompous dictator of a rival empire called Bacteria (think Mussolini's Italy) and gears up for an invasion, the barber's lucky WWI friendship with a high-ranking Tomanian military officer lands him in and out of trouble.

Is It Any Good?

Our review:
Parents say ( 6 ):
Kids say ( 14 ):

The movie doesn't feel like old newspapers, but fresh and urgent. The immortal, wordless dream ballet in which Hynkel/Hitler, imaging himself emperor of Earth, dances lovingly with a globe-shaped balloon, is a timeless metaphor for every wannabe conqueror from Napoleon on up. Chaplin's narrative isn't terribly cohesive, more like a series of blackout sketches, but younger viewers are especially forgiving about that. Some critics think The Great Dictator went overboard with a climactic speech, in which Chaplin completely breaks character to deliver an emotional tirade against 1930s totalitarianism and the "machine men" plunging the planet into madness. But as a film-comedy genius using the talents he has to confront world-class enemies and injustice directly, this is as good as it gets.

Viewers today are used to satire like Saturday Night Live or Harold and Kumar Escape from Guantanamo Bay, which look terribly out of date just months later. Not exactly great art. But THE GREAT DICTATOR is different. Silent-era megastar Charlie Chaplin, in his first film with extensive dialogue, does attack the international villains of the time, the Third Reich (Hynkel for Hitler; a fat field marshal named Herring, instead of Goering; a "Garbitsch" -- pronounced "garbage" -- instead of Goebbles). But the jokes are done with sublime slapstick, poignancy, and timeless insight into the foibles of human nature.

Talk to Your Kids About ...

  • Families can talk about the rise of the Third Reich and Mussolini's Italy, and how Charlie Chaplin skillfully turned some of the most frightening real-life villains into buffoons. You could research the other sorts of movies coming out at the time, from Axis Germany, Italy, Japan, and the USSR -- and how they served their own "great dictators'" aims. While some movies from Nazi Berlin certainly did glorify fascism (check out Leni Riefenstahl's Triumph of the Will, if you dare), others were deliberately non-political, meant to take the average citizen's mind off war. Ask kids if they think Chaplin's pointed comedy holds up well today, or is a WWII relic. Who are today's "great dictators"? And who are the comedians today that make them into buffoons?

Movie Details

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