
The Last Days of American Crime
By Barbara Shulgasser-Parker,
Common Sense Media Reviewer
Common Sense Media Reviewers
Graphic violence, sex, language in chaotic crime drama.

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The Last Days of American Crime
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What's the Story?
THE LAST DAYS OF AMERICAN CRIME is based on a graphic novel by Rick Remender and Greg Tocchini, bringing to the screen a story with a hazy outline on which violence and carnage are displayed at every opportunity. Career criminal Kevin (Michael Pitt) teams up with his crime boss dad's rival Bricke (Edgar Ramirez) to get revenge on his father. Kevin also wants to flip a final middle finger to the authorities as they are about to launch a mind-control crime-prevention ray called the API. With Shelby (Anna Brewster), the tough woman they share, they scheme to knock over a bank and steal a billion, then barrel through the Canadian border with an armored truck before the API takes effect and destroys their brains.
Is It Any Good?
Perhaps the novel on which The Last Days of American Crime is based hangs together more gracefully on the page, but the movie is a meandering, illogical, sloppy, and gratuitously violent mess. Director Olivier Megaton seems to be in way over his head. The actor playing the lead (Edgar Ramirez) is supposed to be American, but has an unexplained foreign accent, which seems intriguing but is left, well, unexplained. The leading crime family has a French name, Dumois, pronounced correctly by Americans, making this even more confusing. The movie seems to suggest that violence and guns are uniquely American and that escaping over the border to Canada will somehow put an end to a war between criminals and cops, as if Canada has no law enforcement.
At nearly two-and-a-half undisciplined hours, exposition goes on and on, with long monologues trying to explain incomprehensible backstory. Sometimes the voice of an unidentified female narrator pops up with a tidbit of information, as if at one point the director realized he had a lot of explaining to do, but the task was so overwhelming he just gave up. Subplots, like one involving a cop who gets his implant at the last minute, aren't just irrelevant, but also add unnecessary length to a tediously overlong script. Time might have been spent clarifying the role of counterfeit bills, or seemingly out-of-nowhere suicide pills that don't work, or why the API seems to cause excruciating pain in criminals, but then suddenly doesn't anymore. And how the heck did a man who was doused in gasoline survive a fiery explosion relatively unscathed?
Talk to Your Kids About ...
Families can talk about how movies use violence. Do you think the violence in The Last Days of American Crime helped tell the story, or were filmmakers more concerned with depicting the violence than the story?
Do you think this story merited a length of 148 minutes, or did that length reflect weaknesses in the filmmakers' storytelling skills? Why?
Can graphic violence make a film better or more affecting? If so, how? If not, why?
Movie Details
- On DVD or streaming: June 5, 2020
- Cast: Michael Pitt , Edgar Ramirez , Anna Brewster
- Director: Olivier Megaton
- Inclusion Information: Latino actors
- Studio: Netflix
- Genre: Drama
- Run time: 148 minutes
- MPAA rating: NR
- Last updated: February 18, 2023
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