A Lot or a Little?
What you will—and won't—find in this movie.
The movie encourages challenging authority and questioning complacency -- to take risks when necessary and to defend the powerless. Themes include courage, friendship, and teamwork.
Positive Role Models
Thomas is an exemplary role model because he's willing to risk his position in the group, his safety, and even his life to help lead the others out of the Maze. He makes friends and alliances easily and is able to stand up against authority, voice his doubts, and question why the boys have complacently remained in the Glade when they should have been searching for a way out of their imprisonment. Alby is a kind and generous leader who wants to do what's best for the members of the Glade, and Min-ho and Newt are both courageous and curious members of the group.
Violence & Scariness
Violence is on par with the source books and similar YA-based dystopian thrillers. Teens rally together to kill huge, mechanized, spider-like monsters called Grievers. Characters die from being stung or otherwise killed by the Grievers; others die after being shot or speared, and a whole roomful of adults is found dead. The scenes of the Grievers killing the boys are particularly frightening and horrific.
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Occasional language includes "s--t," "a--hole," "son of a bitch," "bastards," "damn," and "oh my God!"
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Drinking, Drugs & Smoking
The guys in the Glade drink an unspecified drink that's strong and makes Thomas scrunch up his face, but it's unclear whether it's alcohol or not.
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Parents Need to Know
Parents need to know that The Maze Runner is based on the first novel in James Dashner's best-selling young adult trilogy. The movie, like the book, is a cross between Lord of the Flies, Ender's Game, and The Hunger Games and should appeal to fans of the books and of star Dylan O'Brien (Teen Wolf). There's more strong language ("s--t," "a--hole," "bitch") in the movie than in the book, which featured mostly made up curse words like "shuck" and "klunk." Unlike many other popular teen movies, The Maze Runner doesn't highlight a central romance (at least in this installment), but it definitely includes the same amount of intense violence -- some of it teen on teen, some of it creature on teen, and much of it weapons based. Characters die, and the scenes in which the mechanized Grievers kill the boys are particularly disturbing. Main character Thomas is a strong role model, helping his friends and standing up to authority when necessary. And there are clear themes of teamwork, courage, and friendship. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
As adaptations go, this one is quite faithful to the book, which should please its loyal readers. But those who haven't read the book may be dissatisfied with the lack of fully developed characters and overly compressed pacing. The story's types and tropes will seem familiar to anyone who's seen other YA-based dystopian movies: the super-precocious protagonist who can do exceptional things (in this case, accomplish in three or four days what the rest of the guys couldn't in two or three years); the sense that the adolescents are pawns of cruel, unfeeling adults; the violence that leaves teens dead; and the idea that no one really knows what's going on. Unlike Divergent and Hunger Games, which explain what happened to the post-apocalyptic society from the start, The Maze Runner is more of a pin-hole mystery -- you find out little by little what's actually happening until the very end, and even then, it's just a primer for a second installment.
O'Brien has always been a standout actor (he routinely steals the show on Teen Wolf). Here he's good at the connections with the other guys, all of whom are played well by the cast of young actors -- particularly head runner Minho (Ki Hong Lee), leader Alby (Aml Ameen), second-in-command Newt (Thomas Brodie-Sangster), and the youngest of the Gladers, chubby and charming Chuck (Blake Cooper). The problem is that there's not much depth to the many supporting characters because the movie focuses solely on Thomas, whom the audience doesn't know (he doesn't know himself) but still has to root for, since he's the only one willing to break rules to get out of the Glade. Then there's Scodelario, a nuanced young actress (Wuthering Heights) who's wasted on the tiny role of Teresa, the only girl ever to be sent to the Glade (this isn't Peeta and Katniss or Tris and Four). The action sequences are genuinely heart-pumping (and violent), but the overall story falls a bit flat once it's clear that the Lord of the Flies aspect is secondary to the mystery of who or why these boys are in this horrible prison. Those hoping for a satisfying solution will have to keep their fingers crossed that a second movie will be made ... or just resign themselves to the fact that some of these first books work as standalone stories, and some have to be experienced in their entirety to make sense.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.