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A Lot or a Little?
What you will—and won't—find in this movie.
Positive messages include overcoming fear of letting your guard down to embrace love. Shows beauty of positive friendships and family relationships. Embraces idea that it's OK to look into your family's past without allowing it to bind or oppress you. Themes include communication, compassion, courage, curiosity.
Positive Role Models
Mae, a successful museum curator, takes a chance on love. She sees flaws in her mother's past but still has compassion, respect for her legacy. Christina's mother takes a risk by leaving all she knows to pursue her dreams while providing for her daughter. Michael isn't afraid to show emotions/affection in loving, considerate manner. Michael's older brother and his wife are honest, committed to each other. Positive depictions of Black life publicly and privately. Positive example of healthy, functional, happy marriage between Black people.
Sex, Romance & Nudity
Adults kiss. A love scene has simulated sex but no actual nudity. Some sexual innuendo.
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Infrequent but includes "f--k" (spoken between family members in a joking manner), "ass," "damn," "hell," plus "oh my God."
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Products & Purchases
Mention of rappers Drake and Kendrick Lamar. Mae's home is full of expensive art.
Drinking, Drugs & Smoking
Adults drink socially, both at public events and at home with family.
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Parents Need to Know
Parents need to know that The Photograph is a romantic drama about two middle-class Black millennial professionals (Issa Rae and LaKeith Stanfield) living in New York City. The characters' on-screen relationships are free of trauma, abuse, or any other negative stereotypes -- overall, the film is full of positive depictions of Black life. Adults drink socially and kiss. There's a tasteful sex scene that doesn't include nudity, some innuendo, and brief swearing ("f--k"). The film is free of violence, and it offers themes of communication, compassion, courage, and curiosity, plus messages about the importance of love, family, and female friendships. Inspired by favorites like Love & Basketball and Love Jones, this film is age-appropriate for teens and portrays falling in love in a universal way. It's directed and written by Stella Meghie (Insecure, Grown-ish). To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Stella Meghie's romantic drama offers a perspective that's rarely seen on-screen: that of two beautiful, dark-skinned middle-class Black professionals who love each other in a soft, positive manner. In many films with Black actors, the female lead has a lighter complexion; Meghie's choice to cast many actors of a medium-brown to darker complexion is deliberate, and welcome. And there's no trauma, violence, or abuse complicating the warm affection between Mae and Michael -- just genuine, organic human interaction, and it's beautiful to see. What's more, the Black experience isn't presented monolithically in The Photograph, since it weaves together two stories. Viewers see what life is like for two generations of people who've experienced love, both in present-day New York City and in Louisiana in the past (which also ties into a secondary narrative about Black people who migrated North in pursuit of a better life). The movie clearly conveys the importance of archiving the past. Mae's profession as an art curator, Christina's passion for photography, and Michael's journalistic desire to find the truth of a story all lend themselves to the idea of preserving a moment in time.
That said, there are some moments in the film that feel predictable and/or too long and drawn out, and the pacing can be quite slow (though the slower pace also offers viewers space to fully absorb the beauty of two people falling in love). And some of the flashback scenes seem a bit too modern, especially with the styling of Christina's hair. But thanks to Meghie's storytelling skills, the beautiful art showcased within the characters' homes, the serene shots of Southern coastal life, and the interior design of Mae's upscale apartment, the movie is certainly aesthetically pleasing. The chemistry between Rae and Stanfield is natural, and in the form of Michael's brother (Lil Rel Howery) and his wife (Teyonah Parris), we get a lovely depiction of married family life -- and another positive counterstereotype: a wealthy Black family living in Harlem coexisting in harmony with their sweet, precocious kids.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.