The Reluctant Fundamentalist Movie Poster Image

The Reluctant Fundamentalist



Powerful, edgy, but overlong film about search for identity.
  • Rated: R
  • Genre: Drama
  • Release Year: 2013
  • Running Time: 128 minutes

What parents need to know

Positive messages

Sometimes, life takes you down roads you didn't mean to traverse. Decide whether you want to be on them -- though switching directions may not be easy and may require a lot of self-examination. The film also tackles weighty issues related to politics, identity, discrimination, and terrorism.

Positive role models

Both Changez and Bobby are questioning their basic assumptions about life and work, which isn't a bad thing. But they also can be very married to their beliefs, to the exclusion of others. Still, Changez seeks enlightenment, and though his journey is messy, that he's still seeking is admirable.


A man is kidnapped at gunpoint. Images of the Twin Towers being struck by planes are shown. A demonstration erupts, ending in gunfire. Soldiers and civilians are shown brandishing automatic weapons. Characters take pictures with their phones showing a man with his throat slit.


A couple is shown rolling around in bed, ostensibly naked, though viewers don't see much beyond bare shoulders. Some passionate kissing. Characters talk about sex.


Fairly infrequent use of "ass," "s--t," "damn," and the like.


A man's iPhone keeps showing up in various scenes. Other brands seen include Sex and the City and Canon cameras.

Drinking, drugs, & smoking

Social drinking (parties, mostly).

Parents Need to Know

Parents need to know that The Reluctant Fundamentalist's heavy themes -- including alienation, discrimination, terrorism (or the threat of it), economics, and geopolitical strife -- may minimize its appeal to teens. There's also some edgy/intense content, including kidnapping, shootings, demonstrations, and moments where violent pictures (like one of a man's face beaten to a pulp, his throat slashed) appear. There's also some swearing, including "s--t," social drinking, and sexuality (kissing, a couple rolling around in bed, with naked shoulders seen).

Kids say

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What's the story?

There's no doubt that Changez (Riz Ahmed) has done well. A Pakistani who left his family behind to study business at Princeton University, he has climbed the ladder of corporate success, becoming one of the youngest associates at Wall Street power player Underwood Sampson. His expertise: determining how to make companies more efficient and helping dismantle them into leaner, more profitable units. He doesn't think about the human cost. But then comes 9/11, and on the way back to the United States from traveling overseas, Changez is humiliated at an airport security check. In a city consumed by grief and, for some, suspicion, he feels more and more alone. Only his artist girlfriend, Erica (Kate Hudson), manages to soothe his troubled soul. But even she's out of complete reach; she's still mourning the death, many years earlier, of a fiance. Soon Changez begins to re-examine his identity, getting back in touch with his culture and Muslim religion and finally deciding to head back to Pakistan, where he becomes a sought-after professor known for his brilliance and critiques of capitalism. He also becomes the subject of an American journalist, Bobby (Liev Schreiber), who wonders whether Changez is part of a terrorist group that's kidnapped an American citizen.

Is it any good?


Based on the same-named novel by Mohsin Hamid, this film deserves kudos for aiming high and taking on such weighty matters as post-9/11 geopolitics and the search for your true calling. In less able hands, it would have been a bore. But director Mira Nair is a boss -- she can paint a compelling scene with her eyes closed, the lighting just so, the pacing just right, the actors perfectly cast (except, perhaps for Hudson, who's only passable).

In Ahmed, Nair has a splendid partner. His Changez is layered and complex -- a strange man at the crossroads of two cultures, buffeted between both. Schreiber's Bobby is on murkier ground; though the actor does a fine job imbuing the role with as much gravitas as possible, he's simply not as clearly conceptualized as Changez, and the character suffers in comparison. In fact, the film whispers in the end when it's supposed to crescendo' we can spot the denoument a mile away. (Okay, maybe three.) Still, The Reluctant Fundamentalist is a beautifully filmed, well-performed drama that pushes viewers to take a look at issues we may feel reluctant to examine. That it does so with a sometimes obvious hand is forgivable.

Families can talk about...

  • Families can talk about what The Reluctant Fundamentalist is saying about political and ideological conflicts. What does it want viewers to think about?

  • Talk to teens about the aftermath of 9/11 and how it changed America and the rest of the world. What other movies/media have dealt with this subject?

  • Why do you think Changez changed his perspective? What contributed to his metamorphosis?

Movie details

Theatrical release date:April 26, 2013
DVD/Streaming release date:August 27, 2013
Cast:Kate Hudson, Liev Schreiber, Riz Ahmed
Director:Mira Nair
Studio:IFC Entertainment
Run time:128 minutes
MPAA rating:R
MPAA explanation:language, some violence and brief sexuality

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What parents and kids say

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Parent Written byShivom Oza May 13, 2013

The Reluctant Fundamentalist (2013) Review by Shivom Oza – Revenge Is No Solution!

The film, ‘The Reluctant Fundamentalist’, is an adaptation of a 2007 novel of the same name by Pakistani author Mohsin Hamid. The film is unlike most ‘post-9/11’ films that you’ve seen before. It revolves around a young Pakistani man, Changez Khan, who dares to live the American dream but is faced with a bitter reality check, post the catastrophic 9/11 attacks. Without getting technical, let me put it as simply as I possibly can – ‘The Reluctant Fundamentalist’ is a ‘realistic’ portrayal of an average Pakistani, who must have had to face the repercussions of living in the United States of America prior/during/after 9/11. The issue of racism has been touched upon in a very subtle manner. In addition, the protagonist does not undergo sudden bouts of extremism, owing to the treatment that he is meted out by suspecting Americans because of his religion. Not all those who have been wronged, end up with weapons and blood on their hands. This is the film’s core principle. And yes, it is the right way to go about it. An 18-year-old Changez Khan (Riz Ahmed) moves out of Lahore and goes to study in America, as he doesn’t want to be financially inept like his poet father (Om Puri). Changez wants to live the American dream and make it big in life. And he does that, at least initially. In his early 20s, he lands up a job as a financial analyst at a big firm, where the Managing Director Jim Cross (Kiefer Sutherland) takes him under his wing. Changez shows his mettle very early into the job and impresses his colleagues and his head Jim. The man even manages to find a great partner in Erica (Kate Hudson), a creative, independent woman coping up with the loss of her boyfriend. Back home, even though his father isn’t too impressed with the kind of work that Changez does, things get a lot better – financially. Changez’s situation begins to go wrong as the twin towers go down in New York City (September 11, 2001 attacks). Suddenly, he is at the centre of it all – only because of his colour, nationality and religion. While he is at the job, not once is he looked down upon or judged owing to his religion before/after 9/11. However, one incident at the workplace and one while he is working outdoors, really changes his perspective and makes him take an extreme decision. How it gets him face-to-face with an American authority Bobby Lincoln (Liev Schreiber) at a coffee shop in Lahore in 2011, is what ‘The Reluctant Fundamentalist’ is about! The film seems a bit long at 130-odd minutes, but the story is immensely gripping. Changez’s politics defies anything else portrayed in films made on similar subjects. There are a few moments in the second-half, when one feels that the story is digressing from the main issue. The climax is a bit half-baked, the only genuine complaint that I have with the movie. However, the monologue at the end will make you forgive every infirmity within the film. The best things about ‘The Reluctant Fundamentalist’ are – it doesn’t celebrate America, it doesn’t offer terrorism as an unresolvable issue, it doesn’t justify extremism in any manner, it doesn’t offer any sympathy to those who pick up weapons after being wronged by society, or any other ‘cliché’. The film offers change! The lead character speaks on several occasions about how the weak would have to become more self-reliant. Music plays a very important role in the film’s screenplay. The lyrics (which are mostly in Urdu but aided by well-translated English subtitles) are absolutely out-of-this-world. Even the poetry had so much to say between-the-lines. If you do end up watching the film, listen to the poetry and the lyrics/ keep a close watch on the subtitles. Another notable aspect about this film was the selection of the locations. Here, Pakistan looked like Pakistan, Turkey looked like Turkey and USA looked like USA. Thankfully, there was no make-believe stuff here! The lead actor Riz Ahmed has done a brilliant job as Changez. The other actors in the ensemble, including Om Puri, Shabana Azmi, Kate Hudson, Kiefer Sutherland, Liev Schreiber and Imaad Shah, deliver amazing performances. Don’t want to get too technical – but the people behind the music (Michael Andrews), cinematography (Declan Quinn), editing (Shimit Amin), casting (Cindy Tolan) and production design (Michael Carlin) must be lauded. Director Mira Nair is back in form, and how! If you’re not into history/current affairs, you might find this film slow and disinteresting. But, I’d suggest that you watch it anyway! Revenge is no solution, friends. Let’s work towards making our own lives better and ignoring negativity! Shivom Oza
What other families should know
Great messages
Great role models
Too much violence
Too much sex
Too much swearing
Too much consumerism
Too much drinking/drugs/smoking


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