A Lot or a Little?
What you will—and won't—find in this movie.
The truly attractive man is one who's tender and sweet, not the classic hunk. Although marriage has its ups and downs, the rewards of a long-term relationship are worth a lot more than fleeting pleasures, no matter how attractive those pleasures might be in the moment.
Positive Role Models
Protagonist Richard Sherman is an Everyman who tries to do the right thing. Although he almost gives in to temptation, he ultimately recognizes that he's better off spending time with his family than risking it all for what could be a passing fancy. Marilyn Monroe as the upstairs neighbor personifies temptation, but she does so in a sweet, charming, innocent way.
Violence & Scariness
There are one or two comedic slaps in the face and one punch in the nose. In a comedic fantasy sequence, a woman is making persistent advances on Richard Sherman, and he slaps her face several times. In an overwrought, soap-opera way she then asks for a beating and says she'll come back for more. In another comedic fantasy Sherman's wife brandishes a gun and shoots him several times, but there's no blood and Sherman does a playacting, exaggerated collapse as though he's dead.
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Sex, Romance & Nudity
The theme is marital fidelity and the temptation to break it, so Marilyn Monroe's sex appeal is a big part of the story. But it's also a light comedy, and Monroe is presented in a typically sweet and charming light. There are quite a few kisses, mainly in fantasy sequences. Most are short and on the lips or cheeks. The few longer, more passionate kisses are played for laughs. A minor character asks for donations for her nudist colony and explains how the world would be a better place without clothes. Monroe is seen several times from the waist up in a slip, and a secretary is seen in a slip and skirt in a fantasy sequence. Sherman does a funny dance to take his pants off, and we see him bare-chested in the shower.
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Products & Purchases
The very few 1950s pop-culture and consumer products mentioned probably won't mean much to modern kids. Howdy Doody is mentioned once, and Captain Video and Dictaphone are mentioned a couple of times each.
Drinking, Drugs & Smoking
Although he's been cautioned not to by his doctor, protagonist Richard Sherman wants to drink alcoholic beverages while his wife is out of town. He wonders why a raspberry soda's artificial ingredients are better for you than a simple scotch on the rocks. Sherman and The Girl drink champagne and make and drink Tom Collins drinks and martinis. They discuss how to make a martini, which The Girl doesn't really like but continues to sip at anyway. Smoking is handled similarly; it's something Sherman knows he's not supposed to do, but both he and The Girl smoke frequently while they socialize, appearing to enjoy it.
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Parents Need to Know
There's little objectionable content in this romantic comedy directed by Billy Wilder. But the story of a middle-aged man tempted to cheat on his wife, and much of the humor that flows from this premise, will be lost on young kids and is unlikely to be interesting to tweens or teens, either. The only areas of concern are the adults shown smoking and drinking frequently; both behaviors are glamorized and seem appealing. Several short, sweet kisses are shown, and a few longer ones are played for laughs. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
THE SEVEN YEAR ITCH is a cute, comedic romp but justifiably occupies a lower position in the canons of both Billy Wilder and Marilyn Monroe. Watching the movie, which was adapted from a Broadway play, feels very much like watching a play with its static camera and sets that rarely venture out of the apartment. Opening the movie is an ineffective -- and the movie itself even acknowledges this -- and racially insensitive attempt to tie life in modern-day Manhattan to that of the pre-colonial Native Americans that not even the tongue-in-cheek voiceover can salvage. The pace remains slow for the first third or so; exposition and setup consist of protagonist Richard Sherman (an effectively lackluster Everyman played by Tom Ewell) talking to himself as he goes about his first evening away from the wife and kid.
Fortunately, Marilyn Monroe (as The Girl) eventually makes her appearance, and things brighten considerably. Her screen magnetism and sex appeal are fully captured as she somehow exemplifies both ingénue and temptress. But as good as Monroe was at that, and she was very good, the performance is a bit flat. She doesn't seem truly engaged in the material, which isn't that strong, and seems to be phoning it in a bit -- there's no real spark behind those eyes here. Adults will find a few chuckles, and maybe even a guffaw, here and there, but if your kids are wondering what the big deal about Marilyn Monroe is, show them Some Like It Hot.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.