The Tree of Life
What parents need to know
Parents Need to Know
Parents need to know that, even more so than his previous movies, this drama from legendary and elusive director Terrence Malick is a work of poetic images rather than a cohesive, solid story. The main theme seems to be family relationships, but it all takes place within a huge universal context of infinite time, space, and even dreamscapes. There's the suggestion of simmering violence on the part of the father, but while he often yells, he very rarely lashes out physically. Language is minimal; a flashback sequence contains passing visual references to sexual reproduction. But even though there's not a huge amount of age-inappropriate content for teens, younger viewers are likely to be bored; this movie requires a great deal of patience and the ability to embrace new and unique cinematic encounters.
What's the story?
In the 1950s in Waco, Texas, a man (Brad Pitt) tries to provide for his pretty wife (Jessica Chastain) and three boys, but bad luck gets the better of him. He begins to take out his failures and frustrations on his family. Years later, the oldest boy, Jack (played as an adult by Sean Penn), contemplates his life and a terrible tragedy that continues to haunt him. He enters into a kind of dream state where he revisits the figures of his past. In between these time periods, images of the universe and the origins of life offer a new perspective on these small, earthly events.
Is it any good?
Director Terrence Malick is one of the most mysterious and powerful filmmaking talents in the world today, and the infrequent release of his movies (only five in 40 years) creates a tremendous sense of anticipation. At the same time, his movies are a hard sell, focusing mainly on powerful, poetic imagery instead of clear, linear storytelling; most viewers simply aren't used to watching movies like this. But at the same time, Malick delivers, making the same kinds of movies today as he made in the 1970s, as impossible as that sounds.
THE TREE OF LIFE is perhaps his darkest and most difficult movie to date, focusing on an angry, troubled father and the way he takes out his frustrations on his children. At the same time, hope comes in the most abstract of ways, which may leave viewers unsatisfied. But Malick's astoundingly potent physical poetry makes all this spring to life; it's a movie to be felt and experienced deeply.
Families can talk about...
Families can talk about the film's underlying violence. Why is the father so angry and frustrated? How does he express it, and why?
What does the grown son actually learn during his quest? Does the movie have a happy, or hopeful, ending?
Who do you think this movie is intended to appeal to? What message is it trying to convey to its audience?