Parents' Guide to The Unbreakable Boy

This solid faith-based chronicle of a family navigating both disability and alcohol abuse has several things working in its favor. Star Levi delivers an effective, if predictable, performance in The Unbreakable Boy as a man who finds redemption through faith after hitting rock bottom. The screenplay, adapted by director Joe Gunn from Scott LeRette's (with Susy Flory) memoir, presents Scott's struggle with alcohol abuse disorder frankly while maintaining his humanity and relatability. Laval brings authenticity to Austin, even if the way his character is portrayed upholds the familiar cliché of depicting children with disabilities as unfailingly optimistic and cheerful. (Given that the source material comes from LeRette's account of his beloved son, the screenplay's characterization likely reflects the book's perspective.) Fahy, so memorable in HBO's The White Lotus, transforms here from playing a wealthy, superficial spouse to embodying a devoted, if stressed, mother and wife. And Drew Powell stands out as Joe, Scott's imaginary friend—a narrative device that, while requiring some suspension of disbelief, serves the story well.

The film may particularly appeal to faith-based audiences, as several cast members—including Levi and co-stars Patricia Heaton, Todd Terry, and Peter Facinelli—are known for their Christian faith. But unlike other faith-based dramas that focus primarily on the characters' spiritual lives, The Unbreakable Boy could also appeal to audiences looking for more movies with disability representation. That said, while Austin narrates the film, the story ultimately revolves around his impact on others, particularly Scott, rather than his own journey. That perspective makes sense, given that Scott authored the source book, but it relegates Austin's personal experiences to a secondary role. And although Laval reportedly developed his portrayal through close collaboration with the real Austin, the casting of a neurotypical actor in a neurodiverse role represents a missed opportunity to advance authentic disability representation in film.