The Watcher

Movie review by
Nell Minow, Common Sense Media
The Watcher Movie Poster Image
Tired plot and disastrous casting.
  • R
  • 2000
  • 97 minutes

Parents say

age 17+
Based on 2 reviews

Kids say

age 10+
Based on 1 review

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A lot or a little?

The parents' guide to what's in this movie.

Positive Messages

Plot centers on a serial killer, many deaths.


A few sexual references.


Some strong languag.

Drinking, Drugs & Smoking

Drinking and smoking, character takes many prescription drugs

What parents need to know

Parents need to know that this is a very violent movie about a serial killer who preys on vulnerable young women. It has some gory deaths and crime scenes. There is some strong language. Campbell abuses pharmaceutical drugs and another is skeptical about his ability to perform under their influence. It has sexual references, including references to adultery, strong language, smoking, and drinking.

User Reviews

  • Parents say
  • Kids say
Adult Written byFireball813 November 30, 2020

Underrated Movie

I love this movie i felt it was diffrent from others like it and i have watched it many times. I do feel like it was very underrated it should have had alot mor... Continue reading
Adult Written byjoshua martinez April 23, 2010

16 and up.

the watcher is a thriller movie that's not good for your younger kids to watch and parents you need to know that this movie the watcher is about a serial k... Continue reading
Teen, 17 years old Written byoctober1985 March 14, 2010

What's the story?

James Spader plays Campbell, a burned-out FBI agent from Los Angeles who was unable to catch a serial killer and now lives on disability in Chicago, taking massive doses of pharmaceuticals and talking to a therapist (Marisa Tomei). Griffin, the serial killer (Keanu Reeves) follows Campbell to Chicago and starts sending him photos of his next victims, daring him to find them before it is too late.

Is it any good?

A couple of clever turns don't rescue THE WATCHER from its tired plot, laughable dialogue, and disastrous casting. In other words, Griffin is the kind of serial killer who only exists in movies, more a plot device than a character. Any characteristic he has or is described as having is jettisoned without explanation when necessary for the purposes of the plot. Reeves can be effective in many kinds of roles, and can convey a spookiness that plays as shyness in one part or nihilism in another. But he fails to convey any sense of menace or evil. The movie would have been much more effective if Reeves and Spader had switched parts, with Reeves the damaged cop and Spader the obsessive killer. Tomei is onscreen long enough to show us how much more she can do. It is obvious from the beginning that her character is there to give Campbell -- and the audience -- a potential victim to care about. But she manages to convey such warmth, compassion, and charm, that despite ourselves, we do care about her.

The movie tries to show us that the cop and the killer have a lot in common. Both watch their prey, keeping track of every detail. Both seek an appreciative audience. Each fascinates the other. But the last half hour becomes ludicrous as Campbell engages in Stupid Movie Behavior #1 (things people do in movies that make absolutely no sense whatsoever but if the characters did what any intelligent person would do there would be no plot): after working closely with the local police every step of the way, Campbell goes to meet with Griffin alone, without telling anyone where he is. Then, when they do get together, the dialogue becomes so idiotic (Griffin tells Campbell that he gives Campbell's life meaning, and Campbell responds, "Do you know how many serial killers there are in Chicago? Eight!") that the movie loses any tension that it had.

Talk to your kids about ...

  • Families can talk about Griffin's feeling that it is important to be noticed, and his view that he and Campbell need each other.

Movie details

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