A Lot or a Little?
What you will—and won't—find in this movie.
James Bond is technically a good guy, but he destroys property, kills people, drinks alcohol, and seduces several women. In this movie, he appears to be upset about killing one particular character, but otherwise, he never really learns any lessons or changes over the course of the story.
Positive Role Models
James Bond is a good guy, and highly trained and skilled, but he has his major drawbacks. He can kill without consequence; he actually has a license for it. And he's a fairly selfish pleasure-seeker, romancing and womanizing, drinking, and coveting the finest clothes, cars, and watches.
Violence & Scariness
This movie features the usual shooting, stabbing, chases, explosions, with characters dying and one minor character committing suicide, with very little blood shown. The bad guy is said to have a bullet in his brain that affects his nerve endings; he can't feel pain. Bond is tortured, increasingly choked by a metal strip, in a sadistic chair made for that purpose. M is kidnapped and held prisoner, Bond is chased with a helicopter tree trimmer, and there's a fight aboard a submarine with a nuclear reactor. Bond shoots a woman and shows remorse.
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Sex, Romance & Nudity
Bond seduces three women over the course of the movie. The first is a female doctor in order to pass his physical. He goes to bed with Elektra (with kissing). Bond and Christmas have implied sex with nothing shown (and a strongly suggestive pun on her name). Elektra also has a second lover: she is seen in bed with Renard; no clothes, but nothing sensitive shown (also with kissing). In general, there's innuendo, and flirting, as well as the sexy, naked-looking silhouettes during opening titles. In one scene, Bond looks at two women through "X-ray glasses," and we see guns hidden under their clothes, plus bras and panties, but no nudity.
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"Ass" and "hell" are heard.
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Products & Purchases
Bond uses a VISA card to open a door; VISA paid for the product placement. Bond's car is shown to be a BMW.
Drinking, Drugs & Smoking
Bond casually drinks a whiskey with ice in M's office, and a vodka martini at party.
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Parents Need to Know
Parents need to know that The World Is Not Enough is the 19th official James Bond movie, and the third with Pierce Brosnan. It contains the usual amount of shooting, chasing, explosions, and killing. One minor character commits suicide, and Bond is tortured in a sadistic chair that chokes its occupant. Bond seduces three women during the course of the movie. No nudity is shown, though we see kissing, bras and panties, and some skin. One of Bond's partners has a second partner of her own. There is some blatant sexual innuendo. Bond drinks in a few scenes, including a whiskey and a vodka martini. Language is mild, with "ass" and "hell" used. Bond uses a VISA card to open a door and drives a BMW; these are paid product placements. It's largely considered one of the weaker Bond movies, but it still has a lot of silly energy, and Bond fans young and old will definitely want to see it. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
As far as nifty gadgets, beautiful scenery, giddy action, and a great song (by the band Garbage) go, this is a fairly effective, entertaining entry in the long-running series. Many Bond fans actually rank THE WORLD IS NOT ENOUGH among the worst of the Bond movies, mainly due to the ridiculous plot, though it's really not much more ridiculous than half the rest of the series, and also due to Denise Richards' improbable portrayal of a scientist in shorts and a tank top. (She seems to have been just barely able to memorize her expository lines.) However, she's not nearly as passive as other Bond girls have been.
In truth, the movie has some breezy energy, as opposed to the lethargy of the 1980s entries, and it has the charismatic Pierce Brosnan at the top of his game, as opposed to some of the other Bonds who never seemed quite right or were allowed to play the role a bit too long. The veteran English filmmaker Michael Apted directs.
Our Editors Recommend
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