Tintin: The Calculus Affair

Movie review by
Brian Costello, Common Sense Media
Tintin: The Calculus Affair Movie Poster Image
Cold War-era espionage animation has some cartoon violence.
  • G
  • 1964
  • 57 minutes

Parents say

age 9+
Based on 1 review

Kids say

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A lot or a little?

The parents' guide to what's in this movie.

Positive Messages

With persistence and ingenuity, it is possible to escape difficulties that may arise.

Positive Role Models & Representations

Tintin is a brave boy who will do what it takes to save his friends from danger.

Violence

Cartoonish violence. Lots of cliffhanging moments involving chases, houses set on fire, and escapes from prison. Characters fire machine guns and rifles, but no one is killed. A helicopter is shot down, but the two men inside parachute to safety. A bad guy throws nails on the road to stop a policeman on a motorcycle in pursuit. The policeman runs over the nails and rides his motorcycle off a cliff, where the motorcycle catches fire and the policeman is unconscious on some rocks.

Sex
Language

In a fit of rage, Captain Haddock says, "Dammit."

Consumerism
Drinking, Drugs & Smoking

Captain Haddock smokes a pipe. Security guards in a prison smoke cigarettes. Early in the film, Captain Haddock is shown seated with a glass of wine.

What parents need to know

Parents need to know that Tintin: The Calculus Affair is a kitschy slice of Cold War action and animation from Belgium in 1964. There is some cartoonish violence -- including machine gun fire -- and one of the main characters smokes a pipe and is fond of his drink. On the whole, Tintin: The Calculus Affair is an enjoyable story with a brave hero rooted in a time when the Cold War was at its peak.

User Reviews

  • Parents say
  • Kids say
Parent of an infant and 1 year old Written byMommaOfTwoo November 20, 2012

Rin Tin Tin

While I enjoy older animation I don't think the cgi generation will appreciate it. There's some cartoon violence and alcohol use. Overall, this movie... Continue reading

There aren't any reviews yet. Be the first to review this title.

What's the story?

Tintin is relaxing in his study with his dog Snowy and Captain Haddock when a thunderstorm passes overhead and the windows and glasses inside the house begin to shatter. When they realize it is not the storm that is causing this, they learn that Professor Calculus has invented a new satellite raygun that shoots ultrasonic waves and can make anything in its path shatter. As they discuss the importance of keeping this invention a secret, spies from Bulduria throw tear gas cannisters into the room, knocking out Tintin and his friends and giving the spies the chance to kidnap Professor Calculus. It is up to Tintin to rescue Professor Calculus and to prevent this new invention from falling into the wrong hands and being used for evil.

Is it any good?

Like many relics from the Cold War, TINTIN: THE CALCULUS AFFAIR hasn't aged well, in spite of its natural kitschy charm. The inventions, as always, are creative (and nothing like what the "future" provided), the computers are over-large, and the demarcations between good and bad guys are clearly defined. As in other episodes from the Tintin series, there are lots of cliffhanging "How will Tintin ever escape this predicament?" moments, and unsurprisingly, the hero always finds a way to elude capture (or worse) at the hands of the Eastern European-accented antagonists.

While this could be nostalgic fun for parents who were kids in the 20th century, whether or not kids in the 21st century will enjoy this is another matter entirely. The animation, like much animation from the mid-'60s, is not the best, and the inventions might test the credulity of any kid in this day and age. Still, Tintin: The Calculus Affair is a fun (if dated) animated adventure in espionage.

Talk to your kids about ...

  • Families can talk about animated stories from the 1960s. What do you notice in terms of quality, subject matter, and story, and how do they compare to cartoons from other times?

  • What are the differences between the types of violence one sees in cartoons (especially from around this era), to the types of violence one sees in live-action movies today?

  • As a cartoon made in Belgium, how is this similar and different to animated stories made in other countries?

Movie details

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