Valentine's Day

If anyone can make a great romantic comedy, director Garry Marshall -- whose credits include Pretty Woman and The Princess Diaries -- is it. In many ways, VALENTINE’S DAY has many of the signature Marshall touches: the sweetly satisfying moments between new lovers (certainly evident in the Hathaway-Grace pairing), the fluid storytelling, the sense of humor. But a few perfect moments do not a perfect movie make. It may end up being a crowd pleaser, but it's hyper-engineered to the hilt and ends up feeling packaged and crowded with marquee names and made-for-the-tabloids matchups. (Taylors Swift and Lautner, that’s you.)

What ultimately makes love such a compelling topic is its mysterious, ineffable quality, and there’s none of that jazz-improv magic here. Kutcher and Garner’s storyline, though traditional in its unraveling, feels most satisfying. (Marshall makes the most of Kutcher’s man-boy charms, and the actor steps up his game.) Hector Elizondo and Shirley MacLaine’s comes second, but their plot doesn’t really have room to unspool. Some picking and pruning would’ve made for a more stunning bouquet; it’s all baby’s breath and red roses -- the expected stuff -- as it stands.