We're All Going to the World's Fair
By Jeffrey Anderson,
Common Sense Media Reviewer
Common Sense Media Reviewers
Deeply haunting, unsettling look at identity and connection.

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We're All Going to the World's Fair
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Based on 2 parent reviews
Strong portrayals of disassociation
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It manages to scare at point with its slow pacing and errie soundtrack.
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What's the Story?
In WE'RE ALL GOING TO THE WORLD'S FAIR, teen Casey (Anna Cobb) announces in a video that she's going to take the "World's Fair challenge," an online horror game. In her attic bedroom decorated with glow-in-the-dark stars, she speaks the phrase "I want to go to the World's Fair" three times, pricks her finger, and watches a flashing video. She then watches other videos of people who've taken the challenge and appear to be suffering strange side effects. She makes more videos, trying to decipher how she feels, and to uncover whether anything is happening to her. Then she receives a strange message from someone called JLB (Michael J. Rogers), who claims to see something special in her and encourages her to make more videos. But who is JLB, and what's really happening to Casey?
Is It Any Good?
Nonbinary filmmaker Jane Schoenbrun's feature directing debut is a haunting, deeply affecting blend of experimental horror and coming-of-age, unironically exploring connection in an online world. While many other movies about the internet and social media have ranged from satires and dark comedies to thrillers, We're All Going to the World's Fair is more interior, more in tune with human emotional suffering. It definitely has an insider's knowledge of the online community, and the various videos Casey watches ring eerily true, plus they're artistically fascinating and often genuinely creepy. A video of a whispering woman urging a viewer to "go back to bed" after a nightmare may have been intended to soothe, but it's really quite unsettling. However, it's the humans in the movie -- only two of them appear on-screen, not counting the content creators in the viewed videos -- who set the real tone.
The man, JLB, occupies an enormous space -- the camera follows him as he paces a spacious home -- but still crumples from loneliness in front of his computer screen. Casey's safe space is brilliantly designed, both childlike and grown up, clean and cluttered, vast and constricting, and she never seems to fit, either physically or spiritually. Casey is always alone on-screen, and newcomer Cobb gives a bold, vulnerable, and deeply committed performance as a sad teen who likes horror and isn't comfortable speaking to others. (Witness the moment in which she dances and sings a homemade song called "Love in Winter," pausing during the bridge to let out a soul-shattering primal scream.) Yet perhaps the real success of We're All Going to the World's Fair lies in its title. It's not just JLB and Casey battling their demons ... it's all of us.
Talk to Your Kids About ...
Families can talk about We're All Going to the World's Fair's violence. How did it make you feel? Was it exciting? Shocking? What did the movie show or not show to achieve this effect? Why is that important?
Is the movie scary? What's the appeal of horror movies? Why do people sometimes like to be scared?
Why does Casey take the "World's Fair challenge"? Would you? Have you ever taken an online challenge? Have you ever watched videos about others doing challenges?
What is dysphoria? How does the World's Fair challenge suggest the concept of feeling disconnected from your own body?
What do you think the movie is saying about teens' relationship to the internet? In what ways is being online both isolating and connecting?
Movie Details
- In theaters: April 15, 2022
- On DVD or streaming: April 22, 2022
- Cast: Anna Cobb, Michael J. Rogers, Holly Anne Frink
- Director: Jane Schoenbrun
- Inclusion Information: Non-Binary directors
- Studio: Utopia Films
- Genre: Horror
- Run time: 86 minutes
- MPAA rating: NR
- Last updated: February 3, 2023
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