Crossing Swords

This series with lots of sex jokes and not as many pop-culture references as other adult animation shows comes off as a relic from another time. Crossing Swords feels crass instead of refreshingly uninhibited, with a cynical meanness that renders every character unlikeable. Patrick is supposed to be the central heroic touchstone who leads us into a world where medieval foibles make ironic points about our modern lives, but he's so completely surrounded by agents of chaos that any spark of humanity the character has is utterly overwhelmed. Patrick's three siblings are evil, his parents are blithely unconcerned with their son's welfare, the queen and king he works for are corrupt, and every other character we meet can be located on a scale from unappealing to positively vile. 

This was a gambit that worked when South Park was the hottest show on TV, but times have changed, and most viewers prefer a streak of sweetness in their comedy, or, failing that, jokes so hilarious that they can overlook mean-spiritedness. But even when a joke lands in Crossing Swords, it's buried by other fallen soldiers. In one episode, Princess Blossom (Maya Erskine) gets her first period and realizes she'll soon be forced to wear a royal chastity belt locked with a "patriar-key." Clever, right? It sure would seem a lot more clever if there weren't also dozens and dozens of jokes in the episode about how gross periods are. It's a shame, because there's an incredible, powerhouse cast voicing these subpar jokes, and the look of the show is fun, with its handmade look and visual puns (watch for plenty of material about how the people-peg characters function with no arms). Crossing Swords raises the occasional chuckle, but considering the amount of talent on board, it feels like a swing and a miss.