A Lot or a Little?
What you will—and won't—find in this TV show.
Comedians engage in no-holds-barred talk about sex, religion, relationships, and more. The topics are too adult and complex for younger viewers.
Positive Role Models
The Comedy Store has been around nearly 50 years, and as with many areas of showbiz, the scene has been overwhelmingly male, white, and straight. Though the club was headed by a woman, the series focuses more on the careers of the comedians performing there rather than what it was like for the woman running it. Not a lot of space is given to stories from female comedians or people of color. The apparent toxicity inherent in the business is downplayed to the point that the comedian Louis C.K. is interviewed without a single mention of the elephant in the room: the fact that he admitted to sexually harassing up-and-coming female colleagues.
Violence & Scariness
It's not shown onscreen, but stories are told about people in the club's orbit who have died by suicide (one jumping from a building, one who shot himself). Jimmy "J.J." Walker tells a story about Freddie Prinze buying a crossbow in hopes of shooting John Travolta -- who wasn't home, so he shot arrows into the door of his apartment instead.
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Sex, Romance & Nudity
Some of the standup routines excerpted here can get edgy. Lots of sexual references, but no skin or actual sex is seen.
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A wide array of expletives, from "hell" and "damn" to "f--k and "s--tfaced".
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Drinking, Drugs & Smoking
The comedians reference rampant drug (cocaine, weed) and alcohol abuse in the scene. Some smoke cigarettes. The Comedy Store is itself a bar, so booze is a constant presence in the background. This lifestyle isn't glamorized, but presented more as a cautionary tale.
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Parents Need to Know
Parents need to know that The Comedy Store is a docuseries that features many blunt references to drug and alcohol abuse, sex, and occasionally violence. Comics tell stories about buying guns and threatening other comics, and there's talk of mental illness and death by suicide. Some of the footage features comedians who use misogyny as a linchpin in their humor -- there are homophobic, sexist, and racially insensitive jokes. There's a ton of profanity, and includes pretty much every curse word you can imagine.
Is It Any Good?
Though the docuseries features many funny moments and entertaining stories told by showbiz legends, it lacks any real narrative focus or through-line -- and worse, showcases a real lack of depth. Of course it's a treat to see footage of stars like Michael Keaton (a former standup, believe it or not!) back in the day, and to hear their recollections of that time. But Binder just isn't a great interviewer, and his obvious affection for the subject and personalities involved makes The Comedy Store come across more like the work of an ardent fanboy than the insightful and probing documentary it could have been. It may be that he's just too close to it, but to go to the trouble of making five hour-long episodes without ever painting a full or nuanced picture of the complicated woman who owned it -- not to mention the folks who performed at the club -- is a missed opportunity, period.
The series also skews overwhelmingly white and male. Sure, perhaps some of that can be chalked up to who was being invited to perform at the club in those days -- a visibly irritated Damon Wayans recalls bowing out of appearing there when Shore wanted him to play the "Pepper" in a "Salt and Pepper" themed act with a white guy -- but it's still a bummer seeing the show almost go out of its way not to address the racism, sexism, and homophobia afoot not just at The Comedy Store but in stand-up culture at large. Raunchy shock comic Andrew Dice Clay is profiled, and Binder tacitly accepts his explanation of his "character" at face value: that the "Dice Man" was in fact a send-up of toxic masculinity. Not sure the crowds who laughed at his slur-laden arena shows felt the same way, but Binder doesn't dare dig into that. It's also wild that publicly disgraced comedian Louis CK (who admitted in 2017 to engaging in sexual misconduct against women in his field) is invited to rhapsodize about the good old days without the slightest mention of his brush with scandal -- it's just Binder and CK, laughing it up. It seems as though this series is aimed at a certain audience, and it's not women.
If all the show tried to be was a yuk-fest, that would be one thing, but it shifts gears and occasionally tries to go deep, with segments about depression and suicide. It's just so haphazard and sloppy in its approach and tone that it never really adds up to much after all is said and done. Comedy diehards will definitely enjoy the archival footage and banter between Binder and the stars he profiles, but for casual fans, The Comedy Store may be a bit of a slog.
Did we miss something on diversity?
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