Parents' Guide to

The Rook

By Joyce Slaton, Common Sense Media Reviewer

age 14+

Supernatural violence, some language in so-so spy thriller.

TV Starz Drama 2019
The Rook Poster Image

A Lot or a Little?

What you will—and won't—find in this TV show.

Community Reviews

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age 15+

Based on 1 parent review

WCE
WCE Adult
September 30, 2019
age 15+

Best British show

If you love sci fi then you will love this show
See all 1 parent review

What's the Story?

Based on the fantasy spy novel of the same name by Daniel O'Malley, THE ROOK opens as Myfanwy Thomas (Emma Greenwell) wakes up beside London's Millennium Bridge with no idea who she is -- or why eight dead bodies lie in a rough circle around her. As she soon learns, she's a member of England's ultra-secret intelligence agency, Checquy, which works with people with supernatural abilities -- powers which Myfanwy soon discovers she herself shares. Now she must figure out why she's a target, and which of her coworkers betrayed her. Steely boss Linda (Joely Richardson)? The four-strong psychic sibling set known as the Gestalt? Or someone she's forgotten and isn't watching out for at all?

Is It Any Good?

Our review:
Parents say: (1 ):
Kids say: Not yet rated

This spy show has a cool, meaty premise and is adapted from a fairly bonkers genre novel, so why is it so juiceless and staid? The Rook's first few moments promise a gripping thriller -- a nightmarish situation: abandoned, alone, memoryless, and clearly in some mortal danger. From there, The Rook starts piling on the good-on-paper complications: mysterious super powers, a human trafficking conspiracy, shifty coworkers who can't be trusted, including a bleached-blond foursome of sibs who share consciousness. With so many interesting things to focus on, why does Rook spin its wheels by forcing us to watch Myfanwy (rhymes with "Tiffany," the series helpfully informs us) wandering around her apartment or having conversations in gray-tinged offices?

It's a pity, because the series is so good at times. In the show's first episode, when Olivia Munn shows up as a headstrong American agent poking into the Millennium Bridge deaths, smooth Checquy agent Conrad (Adrian Lester) tries to ferret out her interest in one particular death. "Is it a tracker?" he asks. "A tattoo? A chip? I do hope you won't try to cut off a finger." We have no idea what he's talking about, but we don't have to -- we understand what Conrad is getting at, and it's genuinely thrilling not to have a plot point explained to death. If only the rest of The Rook were as thrilling.

Talk to Your Kids About ...

  • Families can talk about memory loss as a storytelling technique. Starting a series or movie with a character who doesn't remember who they are is a relatively common gimmick -- consider movies like The Bourne Identity or Blindspot. Why would a writer want to start in this way? What dramatic possibilities does this setup hold?

  • The Rook has both political and supernatural elements in its plot. Why would a story about a secret government agency be interesting to audiences? What fears or concerns does this part of the series speak to? Is it realistic?

  • How do you know where The Rook is set? Are we explicitly told, or do we infer the setting through clues? What clues do we have? How do most shows communicate where they are set in space and time?

TV Details

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