United States of Al
By Joyce Slaton,
Common Sense Media Reviewer
Common Sense Media Reviewers
Drinking, innuendo in bland fish-out-of-water series.

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United States of Al
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What's the Story?
Executive produced by Chuck Lorre, UNITED STATES OF AL focuses on former Marine Riley (Parker Young), who has just secured a travel visa for his Afghan translator and dear friend Awalmir (Adhir Kalyan), who wishes to move to the United States and eventually bring his whole family with him. Al moves in with Riley, who's weathering a spell in his dad Art's (Dean Norris) garage, while he's estranged from his wife Vanessa (Kelli Goss), who has custody of their young daughter, Hazel (Farrah Mackenzie). Also in the mix is Riley's sister Lizzie (Elizabeth Alderfer), who lost her soldier husband and is now suffering the aftershocks. Al's life is very different in America than it was in Afghanistan, but his love for life and for family and friends -- both new and old -- that's still exactly the same.
Is It Any Good?
Its heart may be in the right place, but this throwback sitcom tries so hard to be inoffensive that it winds up bland and does a disservice to its titular character. Viewers will appreciate that in The United States of Al the person with the darkest skin or heaviest accent isn't always the butt of the joke, but in trying to create a lovable everyman to anchor this series, all of Al's edges got rubbed away. He's unfailingly loving, respectful, honorable, and kind, a model minority who's also rendered servile and without agency. Al's drama is all centered on its white characters: Riley's tour of duty damage is evidenced by his frayed relationship with his wife; Lizzie drowns her grief over her KIA husband in booze and partying. Meanwhile, Al putters around alternately exclaiming over America's many wonders and trying to solve other people's problems.
The result is a fish-out-water-comedy with a decidedly un-fresh air that has a lot in common with hoary series like Perfect Strangers and The Beverly Hillbillies, up to and including a deafening laugh track. With stalwart Chuck Lorre as executive producer, Al isn't as bad as it could be -- at least Al is a likable character instead of a Muslim stereotype, and the joke writing is occasionally on point, like in an early scene in which Al equates Riley's description of Burning Man ("Americans pitch tents, run around like crazy, then leave") with his memories of war-torn Afghanistan ("Are you trying to make me homesick?"). But turning Al into an agency-free best-friend helpmate whose most passionate wish is to fix everyone else's problems is an old-fashioned approach, less about true diversity than tokenism. What a shame.
Talk to Your Kids About ...
Families can talk about the show's familiar fish-out-of-water formula. Would the show be better if it didn't rely on clear-cut stereotypes? Why do most situation comedies rely on such predictable formulas?
What messages does United States of Al send about being an immigrant in the United States? Is it possible to address this subject without using generalizations about people or cultures?
United States of Al uses a laugh track. What is a laugh track? Why is it used? Do you think it enhances or detracts from the humor of a show?
TV Details
- Premiere date: April 1, 2021
- Cast: Adhir Kalyan, Dean Norris, Parker Young
- Network: CBS
- Genre: Comedy
- TV rating: TV-PG
- Last updated: October 14, 2022
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