A lot or a little?
The parents' guide to what's in this TV show.
What parents need to know
Parents need to know that Woke is a comedy series about a man who has a traumatic experience and afterwards sees the world in new ways. The show's main theme is heady and positive; this character begins considering his life and relationship more carefully and ultimately finds more satisfying and authentic ways of doing things. The show's sympathies are clearly with underdogs, but it also has a light, silly tone that keeps its more serious messages about race, class, and socioeconomic status from landing. Humor can be iffy: there are jokes about a man who sells "dry energy drinks" (it appears to be cocaine), and a running gag about a character who pretends to be a series of famous sports stars in order to attract women to have sex with. There are also scenes in which characters drink at gatherings then act irresponsibly. Violence is infrequent but there's a scene in which a character is held at gunpoint by police officers and fears being shot; this scene is given sufficient dramatic weight and not played for laughs; it also inspires change in a character's life. Language includes "f--k," "motherf--ker," "s--t," "ass," and the n-word, usually used as a term of affection between black men. Sexual content has few visuals, but we see characters flirting, dating, and kissing, and there are references to (off-screen) sex. Main character Keef Knight is a successful black visual artist, a character type rarely seen in the media, and the rest of the cast is diverse in terms of race and ethnicity.
What's the story?
On the verge of mainstream success, cartoonist Keef Knight (Lamorne Morris) has a traumatic run-in with police officers that results in some major life changes: namely that he's now WOKE to the systemic racism he managed to endure before, and he's also getting messages from everyday inanimate objects that now have things to tell him. Trash cans (voiced by Cedric the Entertainer), malt liquor bottles (Eddie Griffin and Nicole Byer), his cartooning marker (J.B. Smoove), all want to tell him where he's gone wrong in life and how he can make it right. Meanwhile, his best friends and roommates Clovis (T. Murph) and Gunther (Blake Anderson) puzzle over the changes in their friend, as does Knight's girlfriend, Ayana (Sasheer Zamata).
Is it any good?
It has charm, delightful actors, and an earnest appeal, but this series has a heavy hand with its messages, and the jokes aren't always sharp enough to lift the show to greatness. It's always dangerous when a show built around the supposed artistic talents of one individual actually shows us the art, and it usually falls flat: actors cast as extraordinary dancers can't dance, the poetry of so-called brilliant poets is drivel, and so on. So the viewer can and should be nervous when we catch peeks at Keef Knight's cartoon over his shoulders, and they're not so great. One panel shows a slice of bread and butter, with the caption underneath reading "Butter late than never." Really? This is the cartoon that has people approaching Knight on city sidewalks with starry eyes, that's popular enough to draw hundreds of fans to a comic-con panel event in the show's first episode? A weak pun on a cliche? Viewers may rightly suspect that they're in unreliable comedy hands.
Things don't really improve when objects begin coming to life around him to exhort him to live a more authentic life. It seems wasteful to cast comedy powerhouses like Nicole Byer and J.B. Smoove if you're going to give them material like Smoove's big line: "Make your mark." And get this: He's a marker! That is weak wordplay. There is definitely comedic hay to be made in the notion of a Black man who's radicalized by a personal trauma, but Woke doesn't find much of it. The scenes in which Knight pals around with his roommates Gunther (Blake Anderson, doing a riff on his Workaholics' character) and Clovis (T. Murph, scene stealer) have more natural charm and rhythm; one wishes that the show had stuck to the ordinary adventures of these three instead of trying to work Knight's awakening into the proceedings. As TV shows go, Woke is a pleasant-enough sitcom with a reach that exceeded its grasp.
Talk to your kids about ...
Where do stereotypes come from? Why are they so frequently used to define people in the media? What stereotypes does Woke subvert, or joke about? Are there any stereotypes the show doesn't subvert?
This show is set in San Francisco, where Woke creator Keith Knight, like his TV counterpart, had a successful cartoon. How do movies and TV shows telegraph their settings? How can you tell if the show is actually filmed in the place it's set? When a show is set in San Francisco, what images are generally used to communicate the setting? How about New York, Paris, London, or other city locations?
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Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
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