Parents' Guide to The Kingdom of Back

Book Marie Lu Fantasy 2020
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Common Sense Media Review

Michael Berry By Michael Berry , based on child development research. How do we rate?

age 12+

Mozart's sister steps up in witty historical fantasy.

Parents Need to Know

Why Age 12+?

Any Positive Content?

Parent and Kid Reviews

age 13+

Based on 1 parent review

age 11+

Based on 5 kid reviews

What's the Story?

As THE KINGDOM OF BACK opens, Nannerl Mozart is a gifted teen musician whose virtuosity impresses the nobles of Europe. Unfortunately, she is overshadowed by the genius of her younger brother, Woferl, even though she's in some ways the better composer. Dismissed because of her age and gender, Nannerl can't help but feel resentful, and when she meets a mysterious stranger called Hyacinth, she confides that her greatest wish is to be remembered forever. That confession has unexpected ramifications, and soon she and Woferl are brought to an enchanted kingdom to do Hyacinth's bidding. Soon, Nannerl will have to weigh her ambitions against Woferl's health and decide how to make her mark in music.

Is It Any Good?

Our review:
Parents say ( 1 ):
Kids say ( 5 ):

Some of the best stories can be found in history's footnotes, and this intricate historical fantasy uses the early childhood of Mozart as a springboard for an enchanting tale of sibling rivalry. In The Kingdom of Back, the relationship between Woferl and Nannerl is described with insight and sensitivity. Author Marie Lu expertly mixes fantasy and fact as she follows the struggles of Nannerl in her efforts to build a legacy that will last forever. Heartbreaking, rapturous, and witty, The Kingdom of Back is a major change of pace for Lu, completely successful and worthy of a wide readership.

Talk to Your Kids About ...

  • Families can talk about how The Kingdom of Back presents an alternate history of European music. How do authors use fantasy to offer a different perspective on history?

  • Why have women been excluded from participating in business and the arts? How have they struggled against such oppression? Are women still excluded in some areas today?

  • How do artists find sponsorship for their art? Is it important for individuals, charities, and governments to support them?

Book Details

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