Parents' Guide to Tricky Vic: The Impossibly True Story of the Man Who Sold the Eiffel Tower

Book Greg Pizzoli History 2015
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Common Sense Media Review

Darienne Stewart By Darienne Stewart , based on child development research. How do we rate?

age 7+

Gorgeous, clever account of bold con artist's life.

Parents Need to Know

Why Age 7+?

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Parent and Kid Reviews

What's the Story?

Robert Miller got an early start as a con artist, putting his skills as a gambler to use parting people from their money. Operating under the name of Count Victor Lustig -- only one of dozens of aliases -- he scammed ordinary people and legendary criminals on both sides of the Atlantic. His biggest con, however, was a scheme to trick a scrap metal dealer into buying the dilapidated Eiffel Tower. The con went so well, he tried it a second time -- and ended up making a quick getaway. The law caught up with him in the United States, where his massive counterfeiting operation led to his final years in the Alcatraz penetentiary.

Is It Any Good?

Our review:
Parents say : Not yet rated
Kids say : Not yet rated

A con artist seems an odd subject for a picture book, but author-illustrator Greg Pizzoli artfully weaves a fascinating story of a bold criminal who took every advantage of the times he lived in. Pizzoli's artwork makes TRICKY VIC: THE MAN WHO SOLD THE EIFFEL TOWER a marvel. He uses a modern, muted palette and mixes in stamps, photographs, pencil, ink, and more. Victor Lustig, known by 45 aliases over his life, is depicted using the only constant thing about him: He's a fingerprint, sporting a bowler hat. The mark who took the bait in his tower scheme, André Poisson, is depicted with a fish for a head.

Pizzoli smartly intertwines Lustig's criminal escapades with historical benchmarks such as the World Fair, Prohibition, and the heyday of transatlantic ocean travel. There's a fair amount of history in the main text, with sidebars offering more background detail. A sure hit for pranksters and history buffs.

Talk to Your Kids About ...

  • Families can talk about why the first victim of the Eiffel Tower scam didn't go to the police. Do you think he was right? What would you have done?

  • How are cons different from pranks and practical jokes?

  • Lustig tells his parents a con artist is really a type of artist. What do you think?

Book Details

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