For those who are inclined to agree with D'Souza and his colleagues, America will be an example of documentary filmmaking at its most enlightening. For those who disagree, it will seem a shoddy diatribe. In any case, it's an argument masquerading as a movie. While some of the performances in the reenactments are excellent (Don Taylor as Lincoln is particularly good) and some visuals of the country show its awesome beauty, the majority of the film is overly dramatic (for example, the relentless pounding of a blacksmith's forge is intercut with lovely landscapes), unnecessarily violent (bloody battle scenes with multiple deaths), and filled with hypotheses that are thin at best, inaccurate and purposefully provocative at worst. Mostly, it attempts to justify America's behavior by pointing out similar behavior by other countries.
Paranoia is the film's most unsettling element. Particularly disturbing is D'Souza's handling of some of the interviewees (for instance, a spokeswoman for the Sioux tribe and a professor of African-American studies), who seem like they might disagree with him if they fully understood his purpose. They bring a wide variety of opinions, perspectives, and motives to the microphone, but -- after the interviews -- D'Souza manages to refute the evidence of the experts who disagree with his premise. In fact, he uses their own words, earnestness, and trust to bolster his own claims in opposition. Finally, having previously taken on Obama in 2016: Obama's America, D'Souza here focuses on Hillary Clinton. "Reenactments" of her college days show her to be in the thrall of Saul Alinsky's radicalism and secretly working to undermine the American way of life as she moves forward. Bottom line? The worth of this film is definitely in the eye of the beholder.