What parents need to know
Parents Need to Know
Parents need to know that this movie isn't for kids.Young teens may also find this film very disturbing -- it includes very graphic violence and unclear definitions of right and wrong. The police do not act responsibly.
What's the story?
Set in the early 1940s, BARTON FINK traces the bizarre foray of its title character (John Turturro) into the dark underbelly of Hollywood. On the heels of a hit play, the playwright heads to Tinseltown to make the big bucks writing a B-wrestling film. Instead of finding success, he finds himself trapped in a bizarre series of events. While struggling with writer's block at a fleabag hotel, Fink strikes up a friendship with a burly and sweaty insurance salesman (John Goodman) with a dark past, present, and future. This friendship -- and everything else Fink comes in contact with -- goes south as a grizzly turn of events leaves him artistically bankrupt and overall aimless.
Is it any good?
In classic Coen style, the film skillfully combines eerily wacky characters with offbeat dark scenarios. Cinematography and design elements coalesce to create a world which welcomes the film's larger-than-life characters, odd situations, and quick-paced dialogue. Barton Fink was the first film to win all three major awards at the Cannes Film Festival -- Palme D'or, Best Director, and Best Actor.
Turturro uses his awkward appearance and nervous demeanor to create an alienated artist trapped in a hellish Hollywood. John Mahoney's alcoholic genius, Judy Davis's prolific secretary, and Michael Lerner's studio exec help to round out the weird scenario. Learner earned an Academy Award for his performance.
Families can talk about...
Families can talk about the violence in this film. How does it make them feel? This movie also begs questions about the place of art in Hollywood. What do the viewers think about the film's construction of Hollywood? Is film art or commerce? This film also presents an excellent opportunity to discuss film style. The Coen brothers' style contrasts to that of classical Hollywood cinema in various ways. How does it differ in terms of narrative? Character development? Aesthetics?