Elvis

Snazzy music biopic doesn't go deep enough; drugs, smoking.
Parents say
Based on 21 reviews
Kids say
Based on 30 reviews
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Elvis
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A Lot or a Little?
The parents' guide to what's in this movie.
What Parents Need to Know
Parents need to know that Elvis is writer-director Baz Luhrmann's visually stylish musical biopic about The King of Rock 'n' Roll. As told through the perspective of Elvis' longtime manager, Colonel Tom Parker (Tom Hanks), it spends a lot of time on Presley's (Austin Butler) launch into superstardom, the business side of his time in the spotlight, and his Vegas residency in his later years. Much of the rest of his life is breezed through, including his marriage to Priscilla (Olivia DeJonge) and his time in Hollywood. Teens may be surprised to learn that authorities found Elvis' dance moves obscene; the movie also shows the racist attitudes of the 1950s and '60s. Vices of all kinds -- drinking, smoking, spending, gambling, and drug use -- bring different characters suffering and misfortune. Sex is suggested with shots of passionate kissing and lingerie-clad women in bed, and Priscilla walks around in a short nightie, revealing her butt cheeks. Elvis owns several guns and wields one while in an altered state; there's also a riot at a concert, some medical emergencies, mourning, and footage of historical assassinations. Language includes "goddamn," "hell," "s--t," and one instance of "f--k."
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Awful cussing ruined my idea of elvis
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What's the Story?
Through the perspective of Elvis Presley's longtime manager, Colonel Tom Parker (Tom Hanks), ELVIS explores how a boy from Tupelo, Miss., became the most successful singer of all time. Navigating the difficulties of a rapidly changing world, former carnival worker Parker reinvents Presley (Austin Butler) to keep him on top, but it comes at great personal, financial, and professional cost to the musician.
Is It Any Good?
Trying to tell the life story of the biggest global superstar of all time in one sitting is challenging, if not unwise. Turning what could've been a trilogy into one film, it's almost as if writer/director Baz Luhrmann is asking, what if a whole movie was a montage? Elvis whips through major events in Presley's life, all clipped as tightly as if they were in a music video. For an artist whose ascent to success was a whirlwind, perhaps it was an artistic choice to depict it in a similar way to the audience. But then, when the party stops for Elvis, so does the action, and Luhrmann abruptly turns to traditional biopic storytelling as Elvis mounts his 1968 comeback. By that time, though, viewers' brains may be so hyperstimulated that the abrupt switch will make the rest of the movie's long running time feel unnecessarily slow.
Plus, telling the story through Parker's eyes creates a barrier to getting to know Presley. The musical powerhouse is infantilized, and the movie suggests that Parker's manipulations led to the demise of both Elvis and his beloved mother, Gladys (Helen Thomson). And Priscilla Presley (Olivia DeJonge) is portrayed more like a minor character than as the love of Elvis' life. Here, it feels like Elvis' real marriage was his partnership with Parker. Is this how Elvis would tell his story? It's hard to say, because after 2 1/2 hours, the superstar remains enigmatic, and too much is left unexplained. Still, Butler's performance is mesmerizing, the soundtrack is electric (many of Presley's songs are mixed in with those by other historically significant musicians, and the soundtrack includes plenty of modern tunes), and the idea that Elvis' lower-body wiggling was actually illegal is hysterical. Most of the central characters develop destructive habits -- but drugs, drinking, smoking, and gambling are never made to look fun, just a portal to misery. As an Elvis biopic, Elvis lacks. But as an exciting way for teens to get a taste of how "the good ol' days" weren't as "good" as some want to remember, it's ideal.
Talk to Your Kids About ...
Families can talk about prejudice. How does Elvis make the case that the objections to Presley's dance moves were based in racism? How does the movie suggest that White musicians' role in the advent of rock 'n' roll was cultural appropriation?
Do you agree with Col. Tom Parker's statement: "It doesn't matter if you do 10 stupid things, as long as you do one right"?
Is substance use glamorized? Are there realistic consequences? Why does that matter?
How accurate do you think the film is to the actual events of Presley's life? Why might filmmakers choose to alter the facts in movies based on true stories?
How does this movie compare to other biopics you've seen? Do you like the mix of modern music with Presley's classics?
Movie Details
- In theaters: September 13, 2022
- On DVD or streaming: August 9, 2022
- Cast: Austin Butler, Tom Hanks, Olivia DeJonge
- Director: Baz Luhrmann
- Studio: Warner Brothers
- Genre: Drama
- Topics: History, Music and Sing-Along
- Run time: 159 minutes
- MPAA rating: PG-13
- MPAA explanation: substance abuse, strong language, suggestive material and smoking
- Awards: BAFTA, Golden Globe
- Last updated: March 15, 2023
Our Editors Recommend
For kids who love musical biopics
Themes & Topics
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