Locke

Taut, tense, and terrific, Locke is a textbook example of fine acting by the very talented Hardy. Without his deft and nuanced heavy lifting, this move would sadly be over before it even begins. After all, a movie set in a car, featuring just one character talking on a hands-free phone the entire time, doesn't seem like enough to hang an entire production on. But thanks to Hardy, it's more than enough. 

He grips the audience throughout the entire ride and manages to find the complexities in a seemingly simple script. All at once, Locke's journey becomes a meditation on marriage, fatherhood, and morality. Viewers will feel like they're in the backseat of a vehicle being driven by a very interesting, and very pained, man, and they'll be fully invested by the end. The script does overplay some emotional moments -- especially as Locke deals with the fallout from his confession -- but thankfully, there aren't too many of these missteps. As Locke speeds toward his destination, physically and emotionally, you'll find yourself desperately wanting to be there when he arrives.