A Lot or a Little?
What you will—and won't—find in this movie.
Follows a woman's difficult journey working through the death of her baby -- and ultimately finding positive meaning and growth from the tragic event.
Positive Role Models
Characters are neither exceptional nor flawed -- they're very human. They mean well, but when they're in pain, they don't always treat one another well. Ultimately, the lead character makes a magnanimous decision.
Violence & Scariness
Frustrations are vented with raised voices, intimidating behavior. Childbirth becomes perilous, has upsetting results. A man aggressively tries to convince his reluctant partner to have sex, including putting her hands down his pants, pulling off her pants.
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Sex, Romance & Nudity
Nudity in a sexual context includes a man's exposed penis and backside. A vagina is shown during childbirth. A sex act is implied after the fact.
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Strong language includes "bitch," "s--t," and several uses of "f--k."
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Products & Purchases
Toyota vehicles are shown with words of praise.
Drinking, Drugs & Smoking
Snorting cocaine. Many characters smoke and vape. Drinking. Discussion of concern about a character who's recovering from an alcohol dependency.
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Parents Need to Know
Parents need to know that Pieces of a Woman is an excellent, emotionally intense drama about a woman (Vanessa Kirby) trying to process the loss of her newborn. Near the beginning, there's an incredibly realistic 20-minute childbirth scene that includes a no-holds-barred shot of the baby crowning. The baby subsequently dies, which is horribly tragic, and things understandably become strained between the parents. In an effort to get through that, the man (Shia LaBeouf) tries to engage his despondent girlfriend in sex. He's fairly forceful about it, but she consents, and it's not assault. Still, it could easily send a mixed message to teens. A man's genitals and backside are shown. There's lots of strong language ("f--k," "bitch") and substance use, too, including snorting cocaine, smoking/vaping, and drinking. While the film builds empathy for those who've suffered the loss of a child or grandchild, it's hard to imagine a scenario in which watching this tragedy and its aftermath would be of interest to teens. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Achingly raw, this drama allows an audience to understand -- but not feel -- the internal anguish of the loss of a baby. Without being emotionally manipulative, Pieces of a Woman brings to light many parents' worst fear. But viewers don't actually walk in Martha's shoes: We are with her, but we are not her. Kirby's performance is remarkable, particularly the authenticity she brings to the childbirth sequence; she resets the bar for how labor is portrayed in the media. But Martha is also aloof and keeps her feelings in her pocket -- we see that she has access to them, but she keeps them hidden from everyone else. Those feelings do escape from time to time, emerging as snarky asides or mocking expressions. When cornered, she explodes; but even then, it's a controlled blast. Her ability to keep Sean and her family at a distance keeps viewers at an arm's length, too. That's a smart device to allow the audience to get lost in the story, rather than drowning in Martha's sorrow.
The film also opens the door to see how grief can encompass and overtake a family. Martha's controlling mother (Ellen Burstyn, who's magnificent) is grappling with the loss of her granddaughter by trying to take over. Meanwhile, Sean is desperate for someone to throw him a life preserver, but no one is offering -- he's virtually left alone in his grief. LaBeouf's problematic real-life personal behavior may overshadow his phenomenal talent in portraying a father's agony. He's astounding as Sean, most impressively in the moment he first sees his baby when she takes her first breaths. Without words, he relays in a facial expression the surge of love and emotional connection that transpires in an instant. In the months after the baby passes, Sean's downward spiral makes it all too easy to judge, with audiences possibly slipping into the trap of focusing on Martha's heartbreak and ignoring Sean's, even though it clearly belongs to him as well. For anyone who's experienced the loss of a child, it will likely to be too relatable, too distressing. For other parents and caregivers, it's a "but for the grace of God" moment. And for teens, unless there's a good reason for them to watch the film, it's just not advisable. The story and its truthful twists and turns are likely to be upsetting for those who don't yet have the life experience to comprehend the psychological aftermath of a devastating event of this magnitude.
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