Push

Stylishly shot, PUSH is a high-tech thriller that tries to combine the run-and-gun realism of the Bourne films with the high-flying fantasy of comic-book cinema. The simplicity and restraint in the film's central idea is interesting: The "special talents" can do incredible things -- see the future, move objects with their mind, control others'' thoughts, act as psychic bloodhounds -- but they can only do one incredible thing. But director Paul McGuigan's execution is too clever by half, losing our interest (and the thread of the plot) in a tangle of convolutions and tricks, when all we want is a smart story cleanly told.

Still, it's hard to have a bad time watching Evans and Fanning, and the film looks incredible -- the neon wasteland of Hong Kong at night gleams and throbs like an electric bruise. With a cleaner script and some judicious editing, Push could have been a nice addition to the recent explorations of the street-level side of comic-book action. Unfortunately, the film as it stands feels like a bungled attempt to kick off a franchise that will never happen.