The Brothers Bloom

Adventure and romance mix in bold, irreverent dramedy.
  • Review Date: May 14, 2009
  • Rated: PG-13
  • Genre: Comedy
  • Release Year: 2009
  • Running Time: 109 minutes

What parents need to know

Positive messages

Although the two main characters make a living by swindling others, one appears to be pained by his career path (the other relishes creating scenarios that allow them to steal). A man lies repeatedly to a woman that he actually doesn't want to hurt.


A fair amount of violence. The lead characters are con men who brandish guns and have enemies. One character loves to blow things up -- and does. People beat each other, sometimes to a bloody pulp; they also shoot at each other and get shot in return. A main character stabs another man's hands with a broken liquor bottle.


A woman's dormant desires are awakened; she declares herself 'horny' and acts it. Some kissing and sex implied. A couple is shown under the covers.


Quite colorful, including words like 'piss', 'hell', 'goddamn' and 's--t'.


No obvious product placement. Some authors are mentioned by name, and there's some hotel signage.

Drinking, drugs, & smoking

Characters smoke and drink, sometimes at the same time.

Parents Need to Know

Parents need to know that there's plenty to delight teens in this charming, irreverent crime dramedy, even if the material verges on the mature. It explores the complex relationship between adult siblings -- in this case, con men who lie and swindle for a living -- whose paths have begun to diverge. Expect some salty language (including "s--t") and violence (including gun use, explosions, and severe beatings). But ultimately it's more lighthearted than not and genuinely moving.

What's the story?

Stephen (Mark Ruffalo) and Bloom (Adrien Brody) are brothers who've mastered the art of the con. Stephen devises their scams with a literary mind, paying homage to famous writers as he crafts his setups; Bloom is his main actor. Rejected throughout their childhood by one foster parent after another, they found solace in cons that allowed them to be somebody else on their way to someplace else. But now that they're grown-ups, the deception wears on Bloom, who walks away from what he thinks is their final production. Then Stephen finds him and presents him with one last pitch: luring a reclusive, orphaned heiress (Rachel Weisz) away from her New Jersey mansion and milking her for millions. Little do they know that she's ready for a grand adventure....

Is it any good?


In the movie, Bloom describes the perfect con as this: "Each one involved gets just the thing they wanted." THE BROTHERS BLOOM, then, is the perfect con. The actors get to flex their muscles, the director gets to make a memorable movie, and the audience gets to hop aboard a bewilderingly beautiful ride. Lyrically told and lushly photographed, the film could easily have turned out frivolous, stylized, and forgettable -- a jaunty travelogue/heist movie -- but thanks to writer-director Rian Johnson, it's dense and satisfying, eager to mine emotional truths from characters who are master fibbers. Credit a script that, though sometimes crowded with trickery, isn't afraid to be complicated. The storytelling is masterful, and the movie's romantic in a way that most heist movies aren't -- the love story is just as important, if not more so, than the scams. (Make that love stories: The central brotherhood is an involving examination of familial love.)

Brody reminds audiences why he won the Oscar (for The Pianist) with a performance that's full of nuance and meaning, and Ruffalo manages to balance humor and drama in a role that a lesser actor might have approached with too much showmanship. And Weisz? She mesmerizes. As a shut-in ready to take on the world, she's eccentric but profound, maddening but likable. It's easy to see why Bloom is smitten. By the movie's end, you will be, too.

Families can talk about...

  • Families can talk about how this movie compares to other heist movies. What do those kinds of films tend to have in common? Families can also discuss the characters' relationships and what they learn.  What do the brothers get out of their scams? Why do they feel differently about it later in life? Do they love each other? How does Stephen continue to act like the older brother later in life?

Movie details

Theatrical release date:May 15, 2009
DVD release date:January 12, 2010
Cast:Adrien Brody, Mark Ruffalo, Rachel Weisz
Director:Rian Johnson
Studio:Summit Entertainment
Run time:109 minutes
MPAA rating:PG-13
MPAA explanation:violence, some sensuality and brief strong language

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  • Best: Really engaging; great learning approach.
  • Very Good: Engaging; good learning approach.
  • Good: Pretty engaging; good learning approach.
  • Fair: Somewhat engaging; OK learning approach.
  • Not for Learning: Not recommended for learning.
  • Not for Kids: Not age-appropriate for kids; not recommended for learning.

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Teen, 13 years old Written byYeah. March 1, 2011
age 10+

Check out my page for other great recommendations.

I'm not here to give a review because if it shows up on my page its a 5 star movie and so therefore you know what i think about it.
Teen, 14 years old Written byFILMCRITIC500 May 27, 2013
age 15+

brilliant but envelope pushing crime movie has mild violence and harsh language

consider this: The Brothers Bloom is a lesser-known gem. this is a film that has great acting, and intricate but confusing story, and enough laughs to guarantee a younger kid will want to see it. but the violence and VERY strong language make this a better pick for older teens. although the film has little violence and most of it is comical, there are still some bloody scenes. people are shot at, beaten, chased, threatened, but no one really dies until the end. Bloom and Stephen use lots of fake blood, but when Stephen gets shot at the end, the blood is real. there are explosions, one that presumably kills a character. one mans hand is sliced, and guns are shot for target practice. asides for the comical action, there are some brief sexual interactions including rear female nudity and dialogue. the language is quite strong for a PG-13. the F word is used 3 times and can be clearly heard each time (PG-13 films can only use it clearly once and imply it the rest of the time) s**t is said, along with goda**. people also smoke and drink excessively.
What other families should know
Too much violence
Too much sex
Too much swearing
Too much drinking/drugs/smoking
Teen, 16 years old Written bybabegirl16 April 5, 2011
age 14+
What other families should know
Too much sex
Too much swearing


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