The Deer Hunter

Movie review by
Barbara Shulgasser-Parker, Common Sense Media
The Deer Hunter Movie Poster Image
Epic war drama is extremely intense and graphically violent.
  • R
  • 1978
  • 183 minutes

Parents say

age 16+
Based on 4 reviews

Kids say

age 14+
Based on 3 reviews

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A lot or a little?

The parents' guide to what's in this movie.

Positive Messages

It's not true that if you enjoy hunting, war will be fun. Some trauma is so terrible it's impossible to recover from it. "There is no such thing as a sure thing."


Positive Role Models & Representations

Mike is a no-nonsense pragmatist who believes there's a right way and a wrong way. He's unfailingly loyal and will never let a friend down. He seems to be able to overcome his fears when lives are at stake. He's possessed by an unshakable determination to save wounded friends. War profiteers exploit an atmosphere of amorality that comes when war breaks down social structures.


Mike, Nik, and Steve are captured by the Vietcong and imprisoned in cages filled with water up to their legs. Some prisoners are kept in cages where the water is up to the men's noses and rats are swimming around them. They are forced to play Russian Roulette, where one bullet is placed in a revolver's chamber and terrified victims are forced to put the gun to their heads and pull the trigger. Some survive and some shoot themselves, with the attendant blood seen. Vietcong soldiers bet on this game and beat those who delay pulling the trigger. Wounded and dead soldiers are seen, some with blood on them. A drunk driver recklessly and deliberately passes a large truck on the right. Linda is beaten by her father. A man puts his hands on a woman's behind as they slow dance. A jealous boyfriend tears them apart and punches his girlfriend. Mike has a bloody wound over his eye. A broken bone is seen sticking out though a man's leg. A man loses his legs and the use of an arm. A Vietcong soldier tosses a grenade into a bunker where women and children are hiding, presumably killing them all. In combat a man is set on fire and screams. Nik loses much of his memory and his mental stability and is easily recruited by a devilish war profiteer. As he becomes a professional Russian Roulette player, he abandons his previous life -- friends and love -- to enter a living hell.


Men are shown showering from behind. A woman in a robe and bra is in bed with a bare-chested man. They embrace in the dark. A bride is pregnant. A couple makes out in a coat room. A man puts his hands on a woman's behind as they slow dance. A jealous boyfriend tears them apart and punches his girlfriend. While drunk, Mike tries to put the moves on Nik's girlfriend, leaning in to kiss her, but withdrawing out of loyalty. Drunken Mike strips all his clothes and runs from his friends. Full nudity is seen from far and in the dark. In a Saigon red light district, girls dance in bikinis at a bar. Prostitutes solicit men in bars. One takes Nik upstairs to a room, but her small child is there and Nik leaves. A woman invites a man to bed so they can "comfort" each other.


"F--k," "motherf--er," "s--t," "a--hole," "bitch," "goddamn," "bastard," "hell," "faggot," "p---y," "piss."


Pennsylvania's Rolling Rock beer is touted.

Drinking, Drugs & Smoking

Adults smoke cigarettes and drink alcohol, sometimes to excess. Men drive while drinking. Men drink in the morning. Track marks are seen on the arm of a presumed heroin addict.

What parents need to know

Parents need to know that The Deer Hunter, director Michael Cimino's 183-minute, 1978 epic, uses extreme violence to underscore the brutality of war and men's best and worst tendencies. The lives of three great friends are ruined when the Pennsylvania steelworkers join the army, see hideous combat in Vietnam, and suffer post-traumatic stress. The graphic violence and depiction of psychological trauma are not for kids. Women and children are deliberately killed by soldiers. Prisoners are tortured and, most famously, forced to play Russian Roulette for the amusement of captors gambling on the outcomes. Several men shoot themselves in the head. War trauma sends some of them even deeper into a netherworld of violence and, in at least one case, drug addiction. A drunk man who has stripped off his clothes is seen nude from far in the dark. The language is coarse: "f--k," "s--t," "a--hole," "p---y," "bitch," "bastard," and "faggot." Men drink shots and beers with their breakfast. Drunk driving is depicted. The movie was a critical success, won five Academy Awards, including Best Picture and Best Director, and was designated number 79 on the American Film Institute's list, "100 Greatest Movies." The commentary on violence, war, survival, and friendship may be lost on younger viewers amid the horror and violence.

User Reviews

  • Parents say
  • Kids say
Adult Written byAvery B. January 18, 2021
Adult Written byChris U. March 3, 2019
Teen, 13 years old Written byLeonvol January 25, 2021

The BEST war movie ever

I really Really Really like this movie because the story is sooooo good and the scenes is really good, And de Niro plays fantastic like his other movie’s, The... Continue reading
Teen, 17 years old Written byhere'saclown August 6, 2017

What's the story?

THE DEER HUNTER achieved iconic status for its ambitious portrayal of the brutality of war and the broken friends who survive it. Three Russian-American friends (Robert De Niro, Christopher Walken, and John Savage) leave their steel mill jobs to enlist in the army. The weekend before they leave they go deer hunting and one gets married to his pregnant girlfriend in an elaborate wedding, followed by a long drunken party. In war, all three are wounded, one in battle and others during an escape from their captors. One heroically saves them all, only to later learn that in some sense his two friends were beyond saving because of the trauma they experienced during the war.

Is it any good?

This movie is both breathtakingly moving and at times a disappointingly self-indulgent and over-ambitious work of cinematic art. It undeniably contains sequences of brilliance, but it also falters and meanders, crying out for a far more ruthless editor. Long deer hunting scenes -- reverent shots of misted mountains and drunk men with guns set against a score of glum hymns -- feel like so much hokey romanticization of hunting and the implied manliness that goes with it. A noble deer goes down (no blood seen) but you can't help wondering are we meant to understand that the men who survive the horrors of war never shoot defenseless animals again? Or do the scenes suggest that if you enjoy hunting, war will be fun? Or do they just set a violent foundation for men heading to war who will themselves be hunted one day? Equally puzzling, why does the camera linger inexplicably on John Cazale, playing a bit of a fool, as he admires his reflection in a car window? What does this add to the story? Much of The Deer Hunter feels like two supporting devices designed to hold up the weighty and brilliant middle. The story is symphonic, told in three movements, marking time through human experience, from high hopes to grim reality. The progression starts with optimism -- a wedding, quitting of jobs, the promise of adventure in the army. Then war rips naivete away leaving frayed threads. A funeral fittingly brings the action to a close.

Cimino, who went over budget and over schedule, would later bring down an entire studio with his next over-budget project, Heaven's Gate. It's his tendency to place moments of cinematic brilliance side by side with well-observed nonessentials that make his films gravely compelling but simultaneously maddening. We tend to forgive all this and ride along with The Deer Hunter and its magnificent emotionalism owing to great performances by a riveting cast. De Niro, Walken, Savage, and Meryl Streep are grippingly watchable at every moment, no matter how questionable the plot point or sketchy the dialogue. Even when the movie is least believable, as when Nik takes a ride with the devil into the underworld that will swallow his life, Walken's immersion in Nik sweeps us into the fiction. The Vietnam sequences are rendered with a rare intensity and artistry -- not a moment of screen time is wasted. As the soldiers suffer agonies, a viewer will find it difficult to forget that the protagonists all went to fight in Vietnam voluntarily. Every horror they experience is tinged with this understanding, underscoring the way that mindless acceptance, no matter how well intended, can sometimes be mistaken for patriotism. Nowhere does the film suggest that even a single character wonders if the war that changed so many lives forever may have been unnecessary or unjustified. When mourning friends sing "God Bless America," the irony is unmistakable. 

Talk to your kids about ...

  • Families can talk about how movies like The Deer Hunter use violence to help tell the story. Is this movie in favor of killing deer? Is it in favor of war? How do you know?

  • How do the extremely long and detailed scenes of steel-working, deer hunting, and a wedding reception set up scenes of war? What do you learn about the men's relationships in the early scenes that give meaning to the war scenes?

  • Do you think that being exposed to violence in movies makes people less sensitive to violence in their lives? Do you think seeing violence on the screen can have other kinds of negative effects on viewers?  

Movie details

Our editors recommend

For kids who love dramas

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