The Father

Oscar-winner Hopkins gives one of the finest performances of his career as a man slowly losing his grip on reality and experiencing the full cycle of emotions that come with that. In some scenes in The Father, he's the vivid, charming, cultured man of a not-so-distant past. But in others, he's angry and defiant, then in a moment scared and childlike in his need to be soothed. Fellow Academy Award-winner Colman beautifully portrays the pain and frustration of managing the situation, in which help is constantly refused and her motives often questioned. She herself fluctuates between pandering, correcting, and losing control of her own anger.

The genius of the film really lies in its structure and casting. In his debut feature as director, Florian Zeller adapts his own stage play for the screen, making clever choices that leave the audience as disorientated as Anthony's character. One of those is having different actors play the same role, so that when Anthony doesn't recognize his daughter, the audience experiences the same dissociation. Even within the flat where Anthony lives, furniture subtly changes, timeframes shift, and apparent strangers appear as if from nowhere -- some of the most heartbreaking moments coming when he refuses to react for fear he can't possibly explain. It's an incredibly difficult watch at times, but Hopkins' performance makes the film such an intimate and compelling experience that it's hard to look away.