The Grudge

THE GRUDGE is one of those "Don't go into the house" movies, a remake of a popular Japanese horror film by Takashi Shimizu, the writer/director of the original. Shimizu makes good use of shifts in time to pull us into what little story there is. The usual ghost activities (messing up the house, stalking people) are updated a little bit. These ghosts can call a cell phone and get from the lobby to the 16th floor very quickly. There are some creepy images and gotcha scares, but nothing can disguise the fact that this is just a "who gets it next and how does he get it" movie. Too much of it is familiar, though, from the mysteriously feral child to the backwards-crab-crawling guy looking horrified at some looming presence. You know if a bloody jaw with teeth shows up, eventually we're going to have to find out where it came from.

Indeed, the biggest problem with the film is that, like many American remakes, it feels it has to explain too much. We get a helpful little ghost re-enactment of the whole story. Horror movies are much more horrifying when they leave the explanation to that part of our imagination where our own deepest fears lie, so that each of us can feel personally unsettled right where we live.